Bear Growls: Theology: The Art of the Possible

I suspect that our Bruin friend at Saint Corbinian’s Bear is also a fan of Evita:


This scene from Evita takes a grimly comical look at Argentine politics. The name of the piece is a quote by Otto von Bismarck, “Politics is the Art of the Possible.” This realpolitik view was echoed by Pope Francis during his visit to Korea a year ago when he paraphrased Bismarck (or the musical) by saying, “Diplomacy is the art of the possible.”

Too often lately, we seem to be hearing prelates saying “Theology is the art of the possible.” The Bear was inspired (last year) to write his own lyrics for Jorge: The Musical. He didn’t have to change much. Imprecision, double-talk and misdirection have been the hallmarks of this papacy.

Theology is the Art of the Possible

One has no rules
Is not precise
One rarely acts
The same way twice
One spurns no device
Practicing the art of the possible

One always picks
The easy fight.
One praises fools
One smothers light.
one shifts left to right
It’s part of the art of the possible.

THE BEAR (on the air)
I’m only a blogger, in fact I’m a Bear.
But as a pewsitter I wanted to share.
We are tired of
the decline of
Our Church
with no sign of

A Vatican able to give us the things we deserve!

One always claims
Mistakes were planned.
When risk is slight
One takes one’s stand.
With much sleight of hand
Theology–the art of the possible.

One has no rules
Is not precise.
One rarely acts
The same way twice.
One spurns no device
Theology–the art of the possible. Continue Reading


A New Argentina

Something for the weekend.  A New Argentina from Evita.  From his earliest boyhood the songs from Evita were always a favorite of my son Larry.  He inherited that liking from his parents, my bride and I both enjoying Evita and playing the songs frequently.

A lovely musical, although the reality of Juan and Eva Peron was a disaster for Argentina and continues to be due to their political successors some six decades since Eva Peron departed this vale of tears and almost four decades since Juan Peron joined her.  The Perons mixed populism, corruption, dictatorial methods and a fair amount of style into a heady brew that kept Peron in power from 1944-1955  until he picked a fight with the Catholic Church by attempting to legalize divorce and prostitution.    When he attempted to take over the Catholic schools Pius XII excommunicated him.  Peron was sent packing into exile by a military coup.  His ruinous economic policies had sent Argentina into an economic tailspin and at the time his removal was largely popular.

However, in his absence the style and glamor of his regime helped sustain the Peronist political movement in Argentina and led to his eventual recall and a second attempt to destroy Argentina with a Presidency from 1973-1974 ending with his death at 79.  His third wife, Isabel, 36 years his junior, a former cabaret dancer, succeeded him as President.  The Peronists attempted to bill her as a second Evita, but she lacked the essential ingredient of style, and she was toppled by a military coup in 1976.  Since that time the history of Argentina has been largely a tale of misrule by the military and by the Peronists, an amorphous political group usually, although not always, noted for their  unicorn and fairy dust make believe fiscal and economic policies that bear some resemblance to the policies of the current government in this country.

What John Randolph of Roanoke immortally said about Edward Livingston fits Juan and Eva Peron to a T:

He is a man of splendid abilities, but utterly corrupt. He shines and stinks like rotten mackerel by moonlight.

The video at the beginning of this post is from the current broadway revival.  Here is A New Argentina from the original London cast in 1978: Continue Reading


And The Money Kept Rolling In

Something for the weekend.  And the Money Kept Rolling In from the musical Evita.  I have always loved Evita, a rousing extravaganza that warns of the dangers of electing charismatic clueless demagogues who then bankrupt a nation with hare-brained policies.  The 1996 film version managed the major miracle of being the only film featuring Madonna Louise Ciccone that I can watch without brain cells dying en masse. Continue Reading