Something for the weekend. The battle of the Siler River sequence from the movie Spartacus (1960). I have always marveled at the skillful use of music as we see the Romans marching in their checkerboard formations.
The culminating battle of the Third Servile War, Crassus and ten legions, about 32,000 men, confronted the remnants of the slave army under Spartacus, approximately 50,000 men.
Our sources for the battle of the Siler River, like most of the Third Servile War, are poor and contradictory. That the battle was bloody and that the Romans won are two of the three facts that we can be sure of. The remaining fact that we can be certain of is that Crassus took the 6,000 survivors and crucified them from the site of the battlefield, up the Via Appia, to the gates of Rome. Crassus probably viewed this as a publicity stunt to gain the consulship and it worked, Pompey, home victorious from a long war against revolting Roman settlers in Spain, being the other consul. However, perhaps even some members of the Senate viewed Crassus’ cruelty to the survivors as excessive. Crassus was denied a Triumph in Rome and had to settle for an Ovatio, very much a second class military honor.
Something for the weekend. The intro to the movie Spartacus (1960), one of the best film intros, with a superb melding of the music and “Roman” statuary. I saw this film initially in 1967 when it was first broadcast on television and it awakened a lifelong love of ancient history in me.
The film is full of historical howlers, par for the course for Hollywood. Crassus, the richest man in Rome, was not a proto-Fascist dictator. Spartacus, who is a shadowy figure because the source material is sparse (only Plutarch’s Life of Crassus and a brief section in Appian’s Civil Wars), did not simply march to the sea to escape Italy with his liberated slaves, but marauded throughout Italy, defeating several Roman consular armies in the process. There was no Senator called Gracchus, magnificently portrayed in the film by Charles Laughton, who led the opposition to Crassus, and Crassus wasn’t interested in personal dictatorship in any event during the time he put down Spartacus and his slave army. The list of substantial factual errors in the film could go on for considerable length.
However, all that is beside the point. The film is a magnificent work of art, and it gets the atmosphere of the late Roman Republic right: old Roman morality being forgotten, a growth of decadence fueled by ever more wealth from foreign conquests, endless amounts of slaves flooding into Italy from the same foreign conquests, factions in the Senate engaging in what amounted to a cold civil war between bouts of hot civil war, the Roman Republican government teetering on the brink of military dictatorship, the movie presents all of these elements more clearly than any classroom lecture could. Continue reading