Hattip to Mrs. Darwin. Nicholas Jackson has transcribed Chaucer’s version of American Pie:
A longe longe tyme sithen, and yet yt me remembreth yn what maner that musique was wont to make me smyle.
And Ich wiste wel, hadde Ich a chaunse, thanne Ich mighte maken the folk to daunse, and peraventure thei wolde feele mirthe a litel while
Yet Fevrier did maken me to quake, wyht everye lettir patent Ich did take. Ill tidinges at the gate-hous, and barely Ich koud get oute.
Ne me myndeth whethir Ich wepte, whane Ich knewe of sorwe a widow kepte. But myn inwit did much agrieve, the daye the musique took yts leave
And thei were singinge…
Bye, bye, Englisshe Jakke of Dover, drove my palfrey almoste halfwey but the tourney was over.
And the fayre goode lordes were sippinge ypocras and rhenish, and sayinge thys daye my lyf shal be finisshede.
Hast thou writte the boke of love, and kepestow feyth yn God above, yf the scrypture sayeth so?
And believestow yn rokke and rolle, kan vernacular vers saven thy mortale soule, and kanst thou teache me howe to daunse the saltarello?
Ich knowe thou lovst hym paramours, for Ich sawe yow on the palais floor. Ye doffede yower krakowe shoon, and than did thos trumpetes blowen
A solitarye valet burninge in loves biere, wyth a livery badge and a destrier, & Ich ful wel was yn despayre, the day the musique perisshede
Bye, bye, Englisshe Jakke of Dover, drove my palfrey wel nigh halfwey but the tourney was over.
And the fayre goode lordes were sippinge vernange and rhenish, and sayinge thys daye ower lyves shal be finisshede.
Nowe for X years the kinge nath nat lived on revenue of hys owne, and parlement doth moane and groane, yet that nys nat as yt was wont to be
Whanne the Prince Noir foughte for the kinge and quene, yn a hauberk he borrowid from James Dean, and a voys that came from yow and me
And whil the kyng did nod hys hede, then al the marchauntz strucke hym dede. Yn no place koude good men haunt, chased out by John of Gaunt.
Whil Wyclif rede a boke of Ockham, the beadles koude how wel to rokke then, & we sange dirges yn the dark then, a-daye the music perisshede.
Bye, bye, Englisshe Jakke of Dover, drove my palfrey almoste halfwey but the tourney was over.
And the fayre goode lordes were sippinge ypocras and rhenish, and sayinge thys daye my lyf shal be finisshede.
Hurly burly yn the somer daye, the birdes flewe off of a trebuchet, VIII leagues heigh and fallinge swifte.
On the grass yt landed causing a rift, and the players tryede to forwarde drifte, wyth the Prince Noir from the standes watching yn a shifte
And the entremet was al cornemuse, whil the troubadours did wel amuse – and al steppede up to estampie, yet that honour was denyede me.
For the knights assayed to seyze the feeld & the troubadours refusd to yield. Wit ye wel what was revealid, whanne the musique perisshed?
Bye, bye, Englisshe Jakke of Dover, drove my palfrey to the heighwaye but the tourney was over.
And the fayre goode burghers were sippinge vernange and rhenish, and sayinge thys daye ower lyves shal be finisshede.
And ther we wer, al yn oon liste, a generacioun borne to blisse, wyth no thoughte of starte or ende.
And cometh, Gawayne be nimble, Gawayne be quicke, Gawayne felle almost for ful Greene trickes, for girdles aren the deviles oonlye frende.
And as Ich watchd him kneel to praye, Ich wisshede he wolde hys vowes unsay. No angele borne yn helle, koud breake that Green knights spelle
And als the ladyes came to bange a gong, to call Arthur to Avalon, Ich sawe Odin laugh grim and garisshe – the daye the musique perisshede.
He was chauntinge: Bye, bye, Englisshe Jakke of Dover, drove my palfrey wel nigh halfwey but the tourney was over.
And the wylde oold lordes were sippinge uisquebaugh and rhenish, and sayinge thys daye ower lyves shal be finisshede
Ich mette a mayde who sange lamentes, and Ich askid her for tidinges of sum contente, yet she but smyled and turnid awaye.
And Ich wente down to the smokye inn, wher Ich had hearde the tunes begin, yet Harry Bailey seyde the musique wolde nat playe.
And yn the streetes the childer yowled, the lovers cryed, and the poetes howled, yet nat a worde was spoken – the vernacular was broken.
& the III folk Ich hold yn admiraunce: Usk, Bocace, and Marie de Fraunce, thei toke a ship to partes hence. The daye the music perisshede.
And thei were singinge…
Bye, bye, Englisshe Jakke of Dover, drove my palfrey almoste halfwey but the tourney was over.
And the fayre goode lordes were sippinge ypocras and rhenish, and sayinge thys daye my lyf shal be finisshede.

Agree. America and the Catholic Church peaked in the 1950’s. Downhill ever since.
Never quite understood the level of admiration Buddy Holly seems to inspire.
“American Pie” is one of my favorite pop songs; it is really well written and performed. And there is a lot of good insight into the dark turn that the U.S took after that time.
I remember the event well. I was 16 y/o, and all three were top of the hit parade here in NZ – a great loss to the music scene. Holly & Valens songs are still played on radio here – not so much the Big Bopper. “Chantilly Lace” was classic.
Art:
I never understood modern pop music (Was born in 1957). A friend who worked as a college radio DJ in the 1970s observed to me that rock is not about the lyrics, just the beat. I recall the Greeks said as much about the songs of Bacchantes.
Some performers sing with clarity, but that’s atypical with rock music.
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I think each age produces glop which has a moment in the sun and then is properly forgotten. The ratio of enduring merit to glop will vary by age and by genre. Some years ago, we bought a set of Time-Life CDs of popular music from each of a set of decades. You listen to the ordinary run of commercial vocal music of the period running from 1940 to 1955 and you get a sense of why it was that rock performers had an audience. (Another factor was that with increasing affluence, a larger share of the purchasing power in said market was commanded by adolescents).
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I have a suspicion that people who have difficult lives but adhere to certain standards of conduct have quite different tastes than people who have much more comfortable lives which incorporate lax standards of conduct. So, the characteristics of glop change over time. Consider Lawrence Welk v. rap.
“rock is not about the lyrics, just the beat.”
Except for ‘Louie Louie’ … a true masterpiece of the written word!