PopeWatch: Rupnik

While the Pope is perhaps nearing the end of his reign, his pontificate continues on the path he has chosen for it:

The question is: why here? And above all, why did Rupnik settle here, an hour’s drive from Rome, after leaving the Jesuit order and joining the Slovenian diocese of Koper? Don Milan also tells us that he is a diocesan priest, but not from this diocese, instead of Sabina-Poggio Mirteto.

In fact, the convent of Montefiolo was already a well-known place, frequented by the people of the Aletti Centre, who organised retreats in a large wing of the huge building called the “House of the Resurrection”. And the man behind the scenes is Cardinal Angelo De Donatis, former Vicar General of His Holiness for the Diocese of Rome and now Major Penitentiary. It is no secret that the Cardinal is Rupnik’s great protector, and that in illo tempore he dismissed as slander the numerous and detailed accusations that emerged against the former Slovenian Jesuit, even going so far as to issue a ridiculous note praising the impeccable reality of the Aletti Centre, while Rupnik’s victims demanded truth and justice.

Moreover, De Donatis is at home in Montefiolo, where he has built a two-storey house on the nuns’ property (‘a beautiful apartment’, according to those who have seen it in the village), renovating and converting a building that the nuns used to park their vehicles in, on the slope overlooking the valley towards Mount Soratte. And then, in the nearby village of Poggio Catino, the Cardinal also owns a former farmhouse with a swimming pool, where it seems he had accommodated Rupnik & Co. until they could be incorporated into Montefiolo.

Meanwhile, in the convent church, all hell seems to be breaking loose. A house protected by the Fine Arts, is being literally turned upside down by the group. They are painting the entire church, which has an external entrance. And then, in the old part of the monastery, an ancient hermitage where San Felice da Cantalice lived as a hermit: they are painting that too,’ an informant tells us. He continues: For years, nothing could be done because permission was needed, but now, in no time at all, they have built a wall where the two steps to the altar used to be, and they have frescoed it’.

But also the poor nuns are having a hard time. They are practically hostage to Cardinal De Donatis and Rupnik’s group, and are prohibited from opening the convent to visitors. While searching for more information in the village of Casperia, we learn that the nuns, who were once very present in the town and also renowned for the quality of their embroidery, disappeared some time ago and nothing more is known about them. We were also given the personal telephone number of one of the sisters with the suggestion that we ask to buy some of the honey they produce as a ruse to gain access to the convent. We try: ‘It’s not possible,’ the nun replied in a frightened tone, ‘they don’t want us to let anyone in.’ ‘They don’t want us to? Who doesn’t want it?’ we asked, laying our cards on the table. ‘Cardinal De Donatis? Don Rupnik?’ The nun is clearly too frightened at this point: ‘I don’t know anything, I have to go to mass now’. She hangs up.

It’s not difficult to understand her fear because the Cardinal, we don’t know on what basis, is in charge of the financial management of the religious institute. In fact, we are told, the Cardinal is also in charge of the property in San Felice Circeo, at the foot of the Morrone hill, donated to the nuns by Cavaliere Carlo Selbmann. In short, for the nuns, De Donatis is the boss who decides everything.

The result is that the Cardinal is the director of the new arrangement that permits Rupnik and the small group that left the Society of Jesus to occupy a property that does not belong to him, but in which he has made a home and which he manages as if it were his own. Since he himself was unable to incardinate Rupnik in the diocese of Rome, which was certainly too much in the limelight after the media scandal, a bishop was sought and found in Monsignor Jurij Bizjak (noe replaced by Peter Štumpf), who was willing to perform a purely formal incardination and then let Rupnik form a new community and continue his artistic activities. Above all, De Donatis had no objection to putting Rupnik back in direct contact with nuns after all that had come to light. And defying the cardinal’s wrath (yes, we also hear that sparks are flying between the sisters and De Donatis) could also cause problems that the elderly sisters, some of whom are in wheelchairs, are not in a position to face.

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