Donald R. McClarey
Cradle Catholic. Active in the pro-life movement since 1973. Father of three, one in Heaven, and happily married for 43 years. Small town lawyer and amateur historian. Former president of the board of directors of the local crisis pregnancy center for a decade.
Ugly, and inhuman.
“I don’t know much about art, but I know what I like.” And i don’t like that.
“Damn dirty apes.” Devils can only imitate, they can’t create.
I was listening to SFDebris’ behind the scenes talk about the planet of the apes and apparently Heston fought to include that final line insisting that it wasn’t a casual swear, but the character was literally calling down a curse upon the wretched foolishness of humanity.
No real point just after learning that I can’t see the line in the same way. Especially since Taylor is supposed to be an atheist in the story IIRC.
Garbage art.
Garbage ideas.
Garbage people.
What else can you expect but inspiration from the Devil when you have abandoned Christ and invented another heretical religion that is the synthesis of heresies as St. Pope Pius X rightly claimed the Vatican II anti-Catholic religion is?
It looks like a crucified snow leopard. Who would want to crucify a snow leopard? Are they going to do Pilate as a Siberian Tiger next? Please let the 70s rest in it’s grave.
NATE WINCHESTER: In the sequel “Beneath the Planet of the Apes,” at the end of the movie Taylor is the one who pushes the button on a doomsday bomb that destroys the planet.
@GregB. Interesting. I should sit down and watch the series sometime as I assume there’s an exploration of his character development to lead to this.
Didn’t the elites worship at the Atomic Bomb in one of those Ape sequels?
Kinda like the bogus Corpus that is on display. A bomb.
PHILIP NACHAZEL: That was in the ” Beneath the Planet of the Apes” sequel. They were supposed to be people mutated after the nuclear war.
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https://www.youtube.com/watch?v=_BfmPdut2x4
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https://www.youtube.com/watch?v=lKencPOg7UI
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The worship clip looks like it has something a modernist take on a liturgy.