Patrick Deneen of Georgetown University has an essay on Minding The Campus in which he argues that cultural and intellectual conservatives should be more cautious about championing Great Books type programs in colleges and universities as an antidote to the rootlessness and relativism of the modern curriculum, because the Great Books format itself is often essentially relativistic:
Most curricula in the Great Books offer the various philosophies as inherently coherent and valid systems, suggesting to each student that there is finally no basis on which to decide which philosophy to adopt other than mere preference. One must simply decide. This Nietzschean (or Schmittian) lesson is reinforced by the typical organization of such curricula (where they persist), which is typically chronological. Given that most students today have deeply ingrained progressive worldviews (that is, the view that history has been the slow but steady advance of enlightenment in all forms, culminating in equal rights for all races, all genders, and all sexual preferences), a curriculum that begins with the Bible and Greek philosophy and ends with Nietzsche subtly suggests that Nietzsche is the culmination of Enlightenment’s trajectory. The fact that his philosophy is reinforced by the message that an education in the Great Books consists in exposure to equally compelling philosophies between which there is no objective basis to prefer only serves to deepen the most fundamental lesson of a course in the Great Books, which is a basic form of relativism. The choice of a personal philosophy is relative, and the basis on which one makes any such choice is finally arbitrary, the result of personal preference or attraction.
Channel surfing the other night, I came across a slew of 1980s “coming of age” movies on cable television. With all of their flaws (too much sexual innuendo, which is mild by today’s comparisons,) one can easily see a positive theme of a bright future and endless possibilities running through this genre of films. I had almost forgotten that in the 1983 film Valley Girl, Julie played by Deborah Foreman actually chastises her hippy parents for their suggestion that if she and her new boyfriend Randy, played by Nicholas Cage, want to explore their sexuality it would be alright by them. Julie rebukes her parents for having such beliefs as well as the nostalgia surrounding their involvement in the 1960s anti war movement; after all it was the era of Ronald Reagan. Everything seemed possible; it was Morning in America again. Many of these movies were set in California which at the time exuded excitement for those of us growing up in colder, Midwest climates. Economically, California was booming and it was also the heart of a growing and diverse music scene.
Fast forward some 25+ years later and many of today’s films have a dark undercurrent with more than a little subtle leftwing political and cultural propaganda running through them. While there are certainly hopeful signs in Hollywood, especially with the advent of stars like Eduardo Verastegi and his movie Bella and associated Metanoia Films, (Click here for my interview with Eduardo Verastegui,) the secular film industry has fallen even farther into the cesspool. Sadly the Golden State’s economic boom seems but a distant memory, which was bound to occur when California’s Big Government mentality rivaled that of Sweden or the Canadian province of Quebec. The bigger question remains; is California setting the trend once again for the nation and the western world, and if it is what hope is there? The hope remains as it always has not in mortal man and the latest left wing hypothesis about the world’s failings, but in the teachings of the Catholic Church.