Spider-Man

The Eternal Issue: Batman vs. Spider-Man

 

 

Ah, TAC tackles only the big burning issues of our day!  Travis D. Smith over at The Weekly Standard raises a philosophical question that has always intrigued me:  who is the greater hero, Batman or Spider-Man?

Reservations  about technology are at the heart of Spider-Man’s story. Peter Parker  gains the proportional strength and agility of a spider when a high-tech  experiment goes awry. His webshooters and spider-tracers are products  of his own ingenuity. His rogue’s gallery, by contrast, comprises a  testament to the dangers inherent in modern technological science given  the myriad ways it can be misused and lead to unintended consequences.  With few exceptions, Spidey’s foes can be categorized as either (i) good  guys who were transformed into villains (or ordinary thugs who were  made much worse) by technological mishaps or unexpected side-effects  (e.g., Doctor Octopus, Electro, Green Goblin, Lizard, Morbius, and  Sandman; Venom, too, indirectly), or (ii) crooks who specifically  invented, obtained, or otherwise employ technology for the sake of doing  wrong or becoming worse (e.g., Beetle, Chameleon, Hobgoblin, Jackal,  Mysterio, Rhino, Scorpion, Shocker, and Vulture; Kraven is the  noteworthy exception). The young Peter Parker is corrupted by the  culture around him no less than any other young man. His first instinct  is to use his newfound powers in a selfish, though harmless, manner: He  plans to make it big in showbiz for the sake of supporting his family.  But after he internalizes Uncle Ben’s message, Spider-Man stands out as a  marvel precisely because he is both the victim of science gone wrong  and a manufacturer of technological wonders, yet neither makes a monster  of him—if we set aside that brief period he had six arms.

Modern  society, marked, if not defined, by our devotion to technological  science and premised principally on theories of rights, explicitly  rejects classical ideas that emphasize virtuous character and duties  that transcend individual will. Assessing all relationships in terms of  power, defending subjective rights as absolutes, and replacing  interpersonal duties with collective responsibilities, preferring the  indirect benefactions of impersonal institutionalized mechanisms,  modernity is a breeding ground for tyrannical souls and a recipe for  tyrannical regimes. It is in this light that Spider-Man can help us to  see that modernity’s capacity to turn out relatively well depends on  habits and ideas that precede it.

When  I teach introductory classes in political theory, I am grateful for the  example that Spider-Man provides of Glaucon’s model of “the man of  perfect justice” from Book II of The Republic, one who always  does the right thing (in terms of complying with conventional morality)  even though he always earns a reputation for doing the wrong thing.  Nobody who would wield great power intending to work on behalf of  justice can avoid earning a bad reputation. Spider-Man is sure to be  accused of being an accomplice in any bank robbery he thwarts. The  headlines of the Daily Bugle regularly prompt readers to ask  themselves whether he is a “Threat or Menace?” Nevertheless, Peter  chooses to keep up the good fight. The language of “choice,” however,  falls short here. Whereas Bruce decides to become a costumed agent of  vengeance, acting on an internal compulsion, Peter regards what he does  not so much as a choice but as a responsibility, a duty he must meet  irrespective of his preferences and desires. This accords with the  classical notion that virtue is demanded of us by our very nature; it is  not something that anyone can opt in or out of indifferently. ']);" class="more-link">Continue reading

Follow TAC by Clicking on the Buttons Below
Bookmark and Share
Subscribe by eMail

Enter your email:

Recent Comments
Archives
Our Visitors. . .
Our Subscribers. . .