This was the noblest Roman of them all:
All the conspirators, save only he,
Did that they did in envy of great Caesar;
He, only in a general honest thought
And common good to all, made one of them.
Mark Antony on Brutus
Julius Caesar, Act 5, Scene 5
I think it would have amused the Romans of Caesar’s generation if they could have learned that the assassination of Julius Caesar would eventually receive immortality through a play written more than 16 centuries after the event by a barbarian playwright in the Tin Islands that Caesar had briefly invaded. It would have tickled their well developed concept of the ludicrous, judging from Roman comedy.
The Roman Republic had been visibly dying for generations before Marcus Junius Brutus the Younger was born into this vale of tears in 85 BC, amidst one of the Roman Civil wars that were becoming the new norm, with the Republic awaiting with trepidation the eventual return of Sulla from Greece after he defeated Mithridates, and the slaughters that he would doubtless inflict on his enemies. This was the world Brutus was born into: a world in which he was taught the glories of the Republic as a boy, but as he grew into manhood he could see old Roman morality being forgotten, a growth of decadence fueled by ever more wealth from foreign conquests, endless amounts of slaves flooding into Italy from the same foreign conquests, factions in the Senate engaging in what amounted to a cold civil war between bouts of hot civil war, the Roman Republican government teetering on the brink of permanent military dictatorship.
Ironically the man who would establish the permanent military dictatorship, Julius Caesar, was ever his friend and mentor, Caesar being the long time lover of his mother Servilia. Nevertheless, from his first entry into the Senate, Brutus aligned with the Optimates ” the best”, against the Populares, “the people” . The names are really beside the point between these two factions. By the late Republic, political and military power had become one and the same, and pretty wrappers of claims to loyalty to the Republic or to the People usually were merely masks to hide naked ambition. However, that was not the case with Brutus, who, like his uncle Cato the Younger, was a true idealist who wished to preserve the Republic. →']);" class="more-link">Continue reading
Though the great houses love us not, we own, to do them right,
That the great houses, all save one, have borne them well in fight.
Still Caius of Corioli, his triumphs and his wrongs,
His vengeance and his mercy, live in our camp-fire songs.
Thomas Babbington Macaulay
The above film is being released on December 2, 2011 here in the US, and I am greatly looking forward to it. Coriolanus is one of Shakespeare’s plays that is not performed as regularly as other plays of the Bard, which is a shame, because it is a powerful play about love and hate. Gnaeus Marcius is a Roman patrician who fought in Rome’s wars shortly after the expulsion from Rome of the last of the Tarquin Kings and the foundation of the Roman Republic, conventionally dated at 508 BC. Our ancient sources in regard to his career are plentiful, including Dionysius of Halicarnassus, Livy, Appian and Plutarch. Unfortunately these writers wrote 450-600 years after the time of Coriolanus, and early Roman history is almost impossible to distinguish myth from fact.
Continuing on with my series on the seven notes, I would call them tests, which Venerable John Henry Cardinal Newman developed for determining whether some aspect of Church teaching is a development of doctrine or a corruption of doctrine. We began with Note Six-Conservative Action Upon Its Past, and I would highly recommend that any one who has not read the first post in the series read it here before proceeding with this post. We will now take the remaining notes in numerical order. This post will deal with the First Note-Preservation of Type.
In regard to Preservation of Type, Cardinal Newman takes pains to point out that the idea underlying the doctrine remains of the same type while the external manifestations of the idea may change greatly. His illustration from Roman history conveys his point well:
On the other hand, real perversions and corruptions are often not so unlike externally to the doctrine from which they come, as are changes which are consistent with it and true developments. When Rome changed from a Republic to an Empire, it was a real alteration of polity, or what may be called a corruption; yet in appearance the change was small. The old offices or functions of government remained: it was only that the Imperator, or Commander in Chief, concentrated them in his own person. Augustus was Consul and Tribune, Supreme Pontiff and Censor, and the Imperial rule was, in the words of Gibbon, “an absolute monarchy disguised by the forms of a commonwealth.” On the other hand, when the dissimulation of Augustus was exchanged for the ostentation of Dioclesian, the real alteration of constitution was trivial, but the appearance of change was great. Instead of plain Consul, Censor, and Tribune, Dioclesian became Dominus or King, assumed the diadem, and threw around him the forms of a court.
In other words in determining whether there has been the preservation of type in a development of doctrine we must look at the substance and ignore the form. For example, in the Middle Ages laymen would often receive communion once a year out of great reverence for the body of Christ. Now we are encouraged to be frequent communicants. However, the underlying reverence that the Church commands for the body and blood of Christ remains the same.
Cardinal Newman concludes:
An idea then does not always bear about it the same external image; this circumstance, however, has no force to weaken the argument for its substantial identity, as drawn from its external sameness, when such sameness remains. On the contrary, for that very reason, unity of type becomes so much the surer guarantee of the healthiness and soundness of developments, when it is persistently preserved in spite of their number or importance.
Newman on the First Note: