I look forward to seeing this play Freud’s Last Session when I have an opportunity:
Toward the end of the play Freud’s Last Session, a fictional conversation about the meaning of human life between Sigmund Freud and C.S. Lewis concludes,“How mad, to think we could untangle the world’s greatest mystery in one hour.”Freud responds, “The only thing more mad is to not think of it at all.” The combined sense of the limits to human knowledge and the unavoidability of the big questions is one of the many impressive features of this dramatic production, the remote origins of which are in a popular class of Dr. Armand Nicholi, professor of psychiatry in the Harvard Medical School. Nicholi penned a book, The Question of God: C.S. Lewis and Sigmund Freud Debate God, Love, Sex, and the Meaning of Life, which the playwright Mark St. Germain turned into an off-Broadway play, now in its second year in New York and just beginning a run in Chicago.
I had a chance recently to see the successful New York production, directed by Tyler Marchant and starring George Morfogen as Freud and Jim Stanek as Lewis. The play is not perfect; some of the dialogue is wooden, the result of the attempt to squeeze elements from the major works of the two authors into their conversation. Nicholi does a better job of this in his book, largely because he is free from the dialogue form. But the theatrical revival of the dialogue is what stands out in this production. In this case, the theater is an arena for the contest of ideas. There is a healthy reminder that philosophy itself has taken on various dramatic and literary forms; indeed, philosophy as a theater of debate hearkens back to the very founding of philosophy in the Platonic dialogue. Something of that original sense of philosophy as a live debate between interlocutors whose views and lives are at stake is operative in Freud’s Last Session.