Apparently it is possible to underestimate the taste of the American people:
The SyFy movie about flying sharks and bad weather was seen by just over 1 million people. It had a 0.4 rating in the 18-49 demographic in early Nielsen numbers. That’s not just a bust by cable standards. It’s a bust by SyFy original movie standards. “Most Syfy originals have an average viewership of 1.5 million people, with some getting twice that,” Claire Suddath reports.
The peculiar thing about this bust was that it was a social media blockbuster. There were more than 600,000 tweets sent about the movie between 8pm and 3am last night (fewer if you go by Nielsen’s numbers), which is two tweets for every three people in America watching Sharknado. That’s particularly strange since Syfy original movies have an average viewer age of 52, and fiftysomething guys are a bit off the key demo for Twitter. Continue reading
When I am not in the law mines, attending to family matters or blogging, I can often be found playing grand strategic historical computer games. I have gotten quite a bit of enjoyment out of the Europa Universalis games put out by the Swedish game company Paradox, which allows you to lead virtually any country on the globe from the Fifteenth Century up to the Napoleonic period. Go here to download a demo of Europa Universalis III.
On April 1, 2013 those wild and crazy Swedes at Paradox released a video, above, detailing their plans for Europa Universalis the Musical! Ah, if twere only true. Nerd Heaven!
I look forward to seeing this play Freud’s Last Session when I have an opportunity:
Toward the end of the play Freud’s Last Session, a fictional conversation about the meaning of human life between Sigmund Freud and C.S. Lewis concludes,“How mad, to think we could untangle the world’s greatest mystery in one hour.”Freud responds, “The only thing more mad is to not think of it at all.” The combined sense of the limits to human knowledge and the unavoidability of the big questions is one of the many impressive features of this dramatic production, the remote origins of which are in a popular class of Dr. Armand Nicholi, professor of psychiatry in the Harvard Medical School. Nicholi penned a book, The Question of God: C.S. Lewis and Sigmund Freud Debate God, Love, Sex, and the Meaning of Life, which the playwright Mark St. Germain turned into an off-Broadway play, now in its second year in New York and just beginning a run in Chicago.
I had a chance recently to see the successful New York production, directed by Tyler Marchant and starring George Morfogen as Freud and Jim Stanek as Lewis. The play is not perfect; some of the dialogue is wooden, the result of the attempt to squeeze elements from the major works of the two authors into their conversation. Nicholi does a better job of this in his book, largely because he is free from the dialogue form. But the theatrical revival of the dialogue is what stands out in this production. In this case, the theater is an arena for the contest of ideas. There is a healthy reminder that philosophy itself has taken on various dramatic and literary forms; indeed, philosophy as a theater of debate hearkens back to the very founding of philosophy in the Platonic dialogue. Something of that original sense of philosophy as a live debate between interlocutors whose views and lives are at stake is operative in Freud’s Last Session. Continue reading
A guest post by commenter Fabio Paolo Barbieri on one of the legendary comic book artists, Jack “King” Kirby, his greatest comic book creation, Captain America, and Kirby’s trip through American history with the Captain:
With Captain America’s Bicentennial Battles we at last reach a masterpiece within the meaning of the act. The Marvel Treasury Edition format in which it was published, though suffering from the same bad production values as the regular titles, tried for a more upmarket and collectable air: instead of slim pamphlets with floppy covers, padded out with cheapo ads, they had 80 large pages, no ads, and more durable hard(ish) covers. On the whole, it was an unhappy compromise without future, but Kirby, who had seen formats and production values decline throughout his career, grasped the opportunity of more elaborate work than the regular format allowed. (Artists of Kirby’s generation are often heard commenting on the quality of paper and colouring available to today’s cartoonists, even when they don’t read the stories; bad printing had been such a fundamental reality to their period that improved paper stock and technology are the one thing that stands out when they see a new comic.)
That is not to say that it is flawless everywhere; few details of title, packaging and secondary material could be worse. That anyone could come up with such a title as Captain America’s Bicentennial Battles would be incredible had it not happened; its clanging, flat verbosity belongs more to the kitsch of 1876 than of 1976 – “Doctor Helzheimer’s Anti-Gas Pills”. The pin-ups that pad out the awkwardly-sized story (77 pages), with Captain America in various pseudo-historical costumes, are positively infantile, the front cover is dull and the back one ridiculous. Nothing shows more absurdly the dichotomy between Kirby’s mature, thoughtful, even philosophical genius and the bad habits of a lifetime at the lowest end of commercial publishing coming on top of a lower-end education; the nemesis, you might say, of uneducated self-made genius. The Kirby who did this sort of thing was the Kirby who filled otherwise good covers with verbose and boastful blurbs, who defaced the English language with “you matted masterpiece of murderous malignancy!” and the like, who cared nothing for precision and good taste – in short, the man whose lack of education lingered in his system all his life. Kirby went into his work with less inherited “baggage” than any other cartoonist, and was correspondingly radical and revolutionary, but he also had little share in common taste and standards.
I know that the Marine Corps will be here forever; this administration won’t.
Gunnery Sergeant R. Lee Ermey
One of my favorite character actors is R. Lee Ermey. A gunnery sergeant and drill instructor in the Marine Corps, he was honorably discharged from the Corps in 1972 as a result of injuries he sustained in two tours in Vietnam. Since that time he has built an acting career, playing off his DI personae and his flair for comedy. Recently he was a spokesman for Geico, but was fired for giving vent to his views about the current administration during a Toys for Tots program in Chicago last year.
After being asked about his GEICO commercial wherein he played a psychiatrist calling his patient a “jackwagon,” Ermey said, “GEICO fired me because I had, I wasn’t too kind about speaking with the, about the administration, so the present administration. So they fired me.”
Here is the program and a transcript of what he said.
I got to tell you, folks, we’re having a big problem this year. The economy really sucks. Now I hate to point fingers at anybody, but the present administration probably has a lot to do with that. And the way I see it, they’re not going to quit doing it until they bring this country to its knees. So I think we should all rise up, and we should stop this administration from what they’re doing, because they’re destroying this country. They’re driving us into bankruptcy so that they can impose socialism on us, and that’s exactly what they’re doing. And I’m sick and damn tired of it, and I know you are too. But I know the Marine Corps is going to be here forever – this administration won’t. Semper Fi. God bless you all. Continue reading
The reviews of the film had been dismal, but I felt duty bound to watch it, and give the film a review. On July 3, having closed my law office for the afternoon, my family and I went to the movies. While the rest of my family, not sharing my duty to report on the film, joined the folks seeing Spider-man III, I strolled over to see the Great Emancipator dispatch vampires. The viewing was rather like a private showing. The audience in the vast theater consisted of me and one individual in the back. I found this aspect of the film quite pleasant. Alas that is the first and last positive aspect of this film that I can report. Intrepid souls who wish to can follow me into the bowels of ALVH below, the usual spoiler caveat being in force. Continue reading
Time to refresh my creds as Chief Geek of the blog. Season 2 of the series Sherlock is debuting in America on Mystery tonight on most PBS channels at 8:00 PM Central Time. The series is a grand bringing of Sherlock Holmes into the present century. It is wittily written, part send up of the original Holmes created by Sir Arthur Conan Doyle and part homage. The improbably named Benedict Cumberbatch is superb in the title role, playing Holmes as a genius as a detective and a moron in dealing with all of humanity, but for Dr. Watson. Dr. Watson, Martin Freeman, is a British medical officer, fresh from traumatic injuries due to his service in Afghanistan (yes, the more things change, often the more they stay the same), who blogs about Holmes’ exploits as part of his therapy. I highly endorse the series for anyone who likes to either think or laugh.
Sherlock Holmes is a prime example of a literary creation that completely escapes from his creator. Sir Arthur Conan Doyle grew tired of Holmes and attempted to kill him off, only relenting to bringing him back after his “death” at the Reichenbach Falls due to unceasing demands from Holmes’ devoted, if not crazed, fans. Doyle tended to look down his nose at Holmes: “If I had never touched Holmes, who has tended to obscure my higher work, my position in literature would at the present moment be a more commanding one,” he once wrote, which is a hoot since his other writings were the most forgettable drek imaginable. Doyle wrote the last of his Sherlock Holmes stories in 1926 and died in 1930. Since that time not a year has gone by without authors trying their hands at new Holmes stories, and placing Holmes in every setting imaginable including the distant future, outer space, fantasy realms, etc.
The continuing popularity of Holmes is something of a mystery, which is appropriate. It is hard to attribute it to simply love of mystery stories, since most mystery sleuths are dead as soon as their creators shuffle off this vale of tears. Perhaps it is because Holmes, through his powers of observation, can so simply and swiftly glean the truth. What an all important ability to possess! Alas the same could not be said for his creator, Sir Arthur. He deserted Catholicism for spiritualism (seances and that sort of rubbish) which is akin to feasting on a rich mud pie and then developing a fondness for eating actual mud. GK. Chesterton, who drew illustrations for an unpublished, during his lifetime, edition of the Holmes story, upon learning of Doyles’ conversion had this memorable quip: It has long seemed to me that Sir Arthur’s mentality is much more that of Watson than it is of Holmes. Continue reading
Something for the weekend. The theme song to my favorite television western of the Sixties, The High Chapparal. Broadcast on NBC from 1967-1971. Set in the Arizona territory in the 1870’s the series was well acted by regulars Leif Erickson, Cameron Mitchell, Mark Slade, Linda Cristal and Henry Darrow. The scripts were literate with a more realistic feel than was common at the time. Here is a longer rendition of the theme song:
Back in 2011 I reported that Mel Gibson was working on a screenplay about the Maccabean revolt. Go here to read the post. I hoped that this movie would help Gibson work out the personal demons that afflict him. Alas, such is not the case. The project has been shelved, and the screenwriter of the play Joe Eszterhas has unloaded on Gibson in a nine page letter that may be read here. (Caution as to strong language.) Mel Gibson is the most prominent Catholic of his generation in Hollywood. His Passion of the Christ is a masterful film that inspired, and inspires, huge numbers of people around the globe. To see him destroy his life and reputation since then has been painful. Gibson needs our prayers and a swift kick in the hind end.
Update I: Hattip to commenter Chris P. Go here to read Gibson’s response to the Eszterhas letter.
Update II: Go here to read Eszterhas’ response to Gibson.
Something for the weekend. Stubby Kaye gives a show stopping performance of Sit Down You’re Rockin’ the Boat from the film adaptation of the play Guys and Dolls (1955). My daughter’s high school is putting on the Guys and Dolls play this semester and my daughter has the role of the Salvation Army General Matilda B. Cartwright. My wife and I viewed the film a few weeks ago. It had been decades since I last watched it and I had forgotten just how much fun it is. A better time in America’s cultural life. Continue reading
One of the last remaining survivors of the Golden Age of Hollywood has passed away:
The chimpanzee – who arrived at the sanctuary in 1960 – loved finger-painting and watching football and was soothed by Christian music, the sanctuary’s outreach director Debbie Cobb told the Tampa Tribune.
Back in the Sixties the old Johnny Weissmuller Tarzan movies were replayed endlessly on TV, and as a boy I loved them. Completely inaccurate as to Africa, and with plots as skimpy as some of the costumes worn by Maureen O’Sullivan as Jane, they were always good, and, not infrequently, hilarious entertainment. I have always treasured Tarzan’s commentary on the legal system in Tarzan’s New York Adventure (1942) where an evil circus owner is attempting to use the courts to win custody of Boy: Continue reading
A Charlie Brown Christmas was first broadcast in 1965 on CBS. I was 8 years old and I was stunned at the time by the passage of Linus quoting the Gospel of Luke in explaining the true meaning of Christmas. Apparently CBS executives wanted to cut this passage out, but Charles Schulz, normally a fairly non-confrontational man, was adamant that it remain in. Continue reading
Though the great houses love us not, we own, to do them right,
That the great houses, all save one, have borne them well in fight.
Still Caius of Corioli, his triumphs and his wrongs,
His vengeance and his mercy, live in our camp-fire songs.
Thomas Babbington Macaulay
The above film is being released on December 2, 2011 here in the US, and I am greatly looking forward to it. Coriolanus is one of Shakespeare’s plays that is not performed as regularly as other plays of the Bard, which is a shame, because it is a powerful play about love and hate. Gnaeus Marcius is a Roman patrician who fought in Rome’s wars shortly after the expulsion from Rome of the last of the Tarquin Kings and the foundation of the Roman Republic, conventionally dated at 508 BC. Our ancient sources in regard to his career are plentiful, including Dionysius of Halicarnassus, Livy, Appian and Plutarch. Unfortunately these writers wrote 450-600 years after the time of Coriolanus, and early Roman history is almost impossible to distinguish myth from fact.
As faithful readers of this blog know, for my sins no doubt, I am an attorney. Not having quite enough of the Law during my working hours, I am always on the lookout for good entertainment about lawyers and the law. One of the best I have encountered in many a moon is a BBC series called Garrow’s Law. This is a heavily fictionalized account of the trials, I know I should have resisted that, and tribulations of William Garrow, an Old Bailey, the chief criminal court of London, barrister, who on raw legal talent rose from nothing to become Solicitor General of England and Wales, Attorney General for England and Wales, a Judge, and a Privy Counselor. He originated the phrase presumption of innocence, and first came to notice as a trail blazing defense counsel in regard to the rules of evidence, such as the rule against hearsay. Continue reading
Apparently it is all the rage at conventions where geeks, my people, gather, to engage in the Khan scream of Captain Kirk from The Wrath of Khan (1982), the best of the Trek movies due to the superb performance of the late Ricardo Montalban as Khan Noonien Singh. Here is Shatner giving the Khan scream at the Los Vegas Star Trek Con 2010: Continue reading
Fred Steiner died today. Not a household name, but you have probably heard his music, as he composed the music for many hit TV shows, perhaps most notably for Perry Mason. A very young Don McClarey loved the Perry Mason show. It had no influence on my decision to become an attorney, that option didn’t occur to me until my Senior year in college when I decided that I would rather not work for a living, but it was enjoyable and memorable entertainment. Continue reading
A trailer for the Captain America movie coming out in July. Two superheroes have managed to become symbols of the nation: Superman and Captain America. One of the first of the comic book heroes, Superman first appeared in 1938 and helped establish the whole concept of a superhero. “A strange visitor from another planet with powers and abilities far beyond those of a mortal man”, Superman was a hit from his first publication and rapidly achieved fame around the globe, as World War 2 GIs carried Superman comics with them throughout World War II.
Captain America was another favorite comic of American GIs. He first appeared in Captain America Comics #1 dated March 1941, which was actually on sale in December 1940. It told the story of Steve Rogers, a classic 98 pound weakling, but with the heart of a lion. A student of fine arts, he desperately wanted to fight for America in the war he saw coming against Nazi Germany, but was rejected by the Army due to his physical weakness. He was offered an opportunity to serve his country by volunteering to be a human guinea pig in an experiment by Dr. Josef Reinstein. Reinstein injected him with a formula that transformed him into a perfect human specimen: muscular, quick and agile. He was to be the first of many volunteers who would be injected with this “super-soldier” formula, but a Nazi agent who had infiltrated the project shot Reinstein to death, before being subdued by Rogers, and therefore he would be the one and only “super-soldier”. The first issue sold an astounding one million copies, an indication of just how popular Captain America would be with the American public. However, not all of the public. Writer Joe Simon and artist Jack Kirby also received hate mail and death threats from isolationists and Nazi sympathizers in the country. I guess Captain America punching out Hitler on the cover of issue # 1 was a clear indication of where Simon and Kirby stood as to the Third Reich. Continue reading