I have not been among those who have had concerns about Pope Francis. This, however, gives me pause:
The decree installs an apostolic commissioner – in the person of the Capuchin Fidenzio Volpi – at the head of all the communities of the congregation of the Franciscan Friars of the Immaculate.
And this in itself is cause for astonishment. Because the Franciscans of the Immaculate are one of the most flourishing religious communities born in the Catholic Church in recent decades, with male and female branches, with many young vocations, spread over several continents and with a mission in Argentina as well.
They want to be faithful to tradition, in full respect for the magisterium of the Church. So much so that in their communities they celebrate Masses both in the ancient rite and in the modern rite, as moreover do hundreds of religious communities around the world – the Benedictines of Norcia, to give just one example – applying the spirit and the letter of the motu proprio “Summorum Pontificum” of Benedict XVI.
But precisely this was contested by a core group of internal dissidents, who appealed to the Vatican authorities complaining of the excessive propensity of their congregation to celebrate the Mass in the ancient rite, with the effect of creating exclusion and opposition within the communities, of undermining internal unity and, worse, of weakening the more general “sentire cum Ecclesia.”
The Vatican authorities responded by sending an apostolic visitor one year ago. And now comes the appointment of the commissioner.
But what is most astonishing are the last five lines of the decree of July 11:
“In addition to the above, the Holy Father Francis has directed that every religious of the congregation of the Franciscan Friars of the Immaculate is required to celebrate the liturgy according to the ordinary rite and that, if the occasion should arise, the use of the extraordinary form (Vetus Ordo) must be explicitly authorized by the competent authorities, for every religious and/or community that makes the request.”
The astonishment stems from the fact that what is decreed contradicts the dispositions given by Benedict XVI, which for the celebration of the Mass in the ancient rite “sine populo” demand no previous request for authorization whatsoever: Continue reading
Assessing Benedict’s views of the liturgy
In “Where Truth and Beauty Meet”: Understanding Benedict (The Tablet August 14, 2010) – Eamon Duffy, Professor of the History of Christianity, and Fellow and Director of Studies at Magdalene College, Cambridge, aptly summarizes Pope Benedict’s view of the liturgy and his calls for reform
[Pope Benedict] believes that behind many celebrations of the new liturgy lie a raft of disastrous theological, cultural, sociological and aesthetic assumptions, linked to the unsettled time in which the liturgical reforms were carried out. In particular, he believes that twentieth-century theologies of the Eucharist place far too much emphasis on the notion that the fundamental form of the Eucharist is that of a meal, at the cost of underplaying the cosmic, redemptive, and sacrificial character of the Mass.
The Pope, of course, himself calls the Mass the “Feast of Faith”, “the Banquet of the reconciled”. Nevertheless Calvary and the empty tomb, rather than the Upper Room, are for him the proper symbolic locations of Christian liturgy. The sacrificial character of the Eucharist has to be evident in the manner of its celebration, and the failure to embody this adequately in the actual performance of the new liturgy seems to him one of the central problems of the post-conciliar reforms. … Continue reading
Among my many flaws is a deep appreciation for biting sarcasm. A recent post by Damian Thompson at his blog at the Telegraph is a masterpiece of this form of verbal combat:
“It is 40 years ago today since the New Mass of Paul VI was introduced into our parishes, writes Margery Popinstar, editor of The Capsule. We knew at the time that this liturgy was as close to perfection as humanly possible, but little did we guess what an efflorescence of art, architecture, music and worship lay ahead!
There were fears at first that the vernacular service would damage the solemnity of the Mass. How silly! Far from leading to liturgical abuses, the New Mass nurtured a koinonia that revived Catholic culture and packed our reordered churches to the rafters.
So dramatic was the growth in family Mass observance, indeed, that a new school of Catholic architecture arose to provide places of worship for these new congregations. Throughout the Western world, churches sprang up that combined Christian heritage with the thrilling simplicity of the modern school, creating a sense of the numinous that has proved as irresistible to secular visitors as to the faithful.
For some worshippers, it is the sheer visual beauty of the New Mass that captures the heart, with its simple yet scrupulously observed rubrics – to say nothing of the elegance of the priest’s vestments, which (though commendably less fussy than pre-conciliar outfits) exhibit a standard of meticulous craftsmanship which truly gives glory to God!
The same refreshing of tradition infuses the wonderful – and toe-tapping! – modern Mass settings and hymns produced for the revised liturgy. This music, written by the most gifted composers of our era, has won over congregations so totally that it is now rare to encounter a parish where everyone is not singing their heads off! Even the secular “hit parade” has borrowed from Catholic worship songs, so deliciously memorable – yet reverent! – is the effect they create. No wonder it is standing room only at most Masses!”
Did Archbishop Annibale Bugnini, who birthed this kairos, have any idea just how radically his innovations would transform the Church? We must, of course, all rejoice in his imminent beatification – but, in the meantime, I am tempted to borrow a phrase from a forgotten language that – can you believe it? – was used by the Church for services before 1969: Si monumentum requiris, circumspice.” Continue reading