[Updates at the bottom of this post as of 10:33 pm CST for 8-20-2009 AD]
The 13th Day is a film based on the true story of the Marian apparitions to three shepherd children at Fatima Portugal on the 13th day of six consecutive months in 1917, starting on 13 May. The three children were Lucia Santos and her cousins, siblings Jacinta and Francisco Marto. These apparitions at Fatima were officially declared worthy of belief by the Catholic Church.
William Park (InsideCatholic.com) lists, in his judgement, “the fifty best Catholic movies of all time”.
Some readers, myself included, were very surprised by the absence of The Mission. A magnificent cast (including Robert DeNiro, Jeremy Irons and Liam Neeson); a play by Robert Bolt (A Man for All Seasons) — it has, in my estimation, one of the most powerful illustrations of penance and forgiveness in cinema.
The Mission deservedly won seven Academy Awards, and made the top 15 films under ‘Religion’ selected by the Vatican, commemorating 100 years of cinema.
So why didn’t it make the list? — the author doesn’t offer much of an explanation, save that “Bolt’s screenplay for The Mission looks at the Church from the point of view of Dostoevsky’s “Grand Inquisitor.” Steven D. Greydanus, however, explores the complexities and ambiguities of The Mission for DecentFilms.com.
Question for our readers: do you agree with the list? — Do you agree with Warren’s list? Any notable omissions? What would you have selected?
I saw the movie with Liam Neeson entitled “Taken”, the other night. It is the ultimate ‘Dads protecting daughters’ fantasy. It plays on a whole lot of primal emotions- particularly the temptation to give oneself over to extreme violence to protect the lives and sanctity of one’s children. Every father wants to imagine himself capable of defending his beloved children from any and all threats- and the father in “Taken” was that ultimate fatherly force. He represented more of a divine Angelic father who slays spiritually evil forces, than a realistic earthly dad- and as such I was able to excuse the incredible violence as something of a parable of ultimate accountability for those humans who perpetrate the evils of human trafficking and slavery.
A number of feature films and miniseries have been made about the events of the American Revolution. Here are my top ten choices for Fourth of July viewing:
10. The Devil’s Disciple (1959)- I am not a big fan of the plays of George Bernard Shaw, but this film has its moments. Set during the Saratoga campaign of 1777, Laurence Olivier was an inspired choice as General “Gentleman Johnnie” Burgoyne, and Burt Lancaster and Kirk Douglas as the two American protagonists have their usual fine chemistry together on film. Not a classic but certainly an overlooked gem.
Aristotle taught that the purpose of tragedy is to inspire pity and fear in the audience, thence causing catharsis, a purging of emotion. I’ve always found his explanation of tragedy compelling, but as I get older (queue laughter at the thirty-year-old getting “older”) I find that I want to achieve catharsis much less than I used to. Not that my life is layered in tragedy or anything, indeed, far from it. But somehow, one just doesn’t feel as much like seeking out pity and fear at thirty as at twenty.
This has been running through my head as I’ve been reading about The Stoning of Soraya M.