Matt Stone

Mark Steyn On The Comedy Central Capitulation

Mark Steyn has a good post on National Review Online in regard to the Comedy Central appeasement of the jihadists that I referred to in this post here:

Meanwhile, Comedy Central — you know, the “hip,” “edgy” network with Jon Stewart, from whom “young” Americans under 53 supposedly get most of their news — just caved in to death threats. From a hateful 83-year-old widow who doesn’t like Obamacare? Why, no! It was a chap called Abu Talhah al Amrikee, who put up a video on the Internet explaining why a South Park episode with a rather tame Mohammed joke was likely to lead to the deaths of the show’s creators. Just to underline the point, he showed some pictures of Theo van Gogh, (the picture at the top of this post) the Dutch film director brutally murdered by (oh, my, talk about unfortunate coincidences) a fellow called Mohammed. Mr. al Amrikee helpfully explained that his video incitement of the murder of Matt Stone and Trey Parker wasn’t really “a threat but just the likely outcome.” All he was doing, he added, was “raising awareness” — you know, like folks do on Earth Day. On Earth Day, lame politicians dig a hole and stick a tree in it. But aggrieved Muslims dig a hole and stick a couple of comedy writers in it. Celebrate diversity!

Faced with this explicit threat of violence, what did Comedy Central do? Why, they folded like a Bedouin tent. They censored South Park, not only cutting all the references to Mohammed but, in an exquisitely postmodern touch, also removing the final speech about the need to stand up to intimidation.

Stone and Parker get what was at stake in the Danish-cartoons crisis and many other ostensibly footling concessions: Imperceptibly, incrementally, remorselessly, the free world is sending the message that it is happy to trade core liberties for the transitory security of a quiet life. That is a dangerous signal to give freedom’s enemies. So the South Park episode is an important cultural pushback.

Yet in the end, in a craven culture, even big Hollywood A-listers can’t get their message over. So the brave, transgressive comedy network was intimidated into caving in and censoring a speech about not being intimidated into caving in. That’s what I call “hip,” “edgy,” “cutting-edge” comedy: They’re so edgy they’re curled up in the fetal position, whimpering at the guy with the cutting edge, “Please. Behead me last. And don’t use the rusty scimitar where you have to saw away for 20 minutes to find the spinal column . . . “

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South Park, Fear and Self-Censorship

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I confess that I have never watched South Park.  From what I have read about it, the show holds nothing sacred and has had cruel attacks on Christ and other religious figures.  Some people have given it a thumbs up for not being politically correct.  I guess the latter is true, because in an episode that aired Wednesday the South Park crew went after the ultimate sacred cow in today’s America, the founder of Islam, Mohammed.

Or rather they attempted to.  Comedy Central, obviously caving to death threats from Islamic extremists, bleeped out the portions of the broadcast aimed at Mohammed:

Comedy Central bleeped out all references to the Prophet Muhammad in Wednesday night’s episode of the animated show “South Park.”

The episode was a continuation of last week’s episode which depicted the Prophet Muhammad in a bear suit.

A radical Muslim website threatened the show’s creators following that episode.

Comedy Central confirmed to FoxNews.com that it had censored the show, and that the episode was not available on its website.

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