Jon Stewart

Comedy Centrals Anti-Catholic Bigotry

Brent Bozell of NewsBusters documented Comedy Central’s attacks on the Catholic in a post this past Saturday that I’m reposting here.

It’s been two months since Comedy Central censored Mohammed out of their cartoon “South Park.” Even the utterance of the name was bleeped. The blog Revolution Muslim quoted the world’s most notorious terrorist as an inspirational figure. “As Osama bin Laden said with regard to the cartoons of Denmark, ‘If there is no check in the freedom of your words, then let your hearts be open to the freedom of our actions.’”

But there has been no ceasefire in Comedy Central’s war on Christianity. The attacks on Catholic Americans just keep coming. On “The Daily Show” on June 17, fake correspondent Samantha Bee interviewed two priests and two nuns who are watchdogging Goldman Sachs for a liberal interfaith group.

Jon Stewart started the Catholic-bashing in his introduction: “Sometimes it’s easy to spot the villain in a story. Sometimes it’s not.”

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Mark Steyn On The Comedy Central Capitulation

Mark Steyn has a good post on National Review Online in regard to the Comedy Central appeasement of the jihadists that I referred to in this post here:

Meanwhile, Comedy Central — you know, the “hip,” “edgy” network with Jon Stewart, from whom “young” Americans under 53 supposedly get most of their news — just caved in to death threats. From a hateful 83-year-old widow who doesn’t like Obamacare? Why, no! It was a chap called Abu Talhah al Amrikee, who put up a video on the Internet explaining why a South Park episode with a rather tame Mohammed joke was likely to lead to the deaths of the show’s creators. Just to underline the point, he showed some pictures of Theo van Gogh, (the picture at the top of this post) the Dutch film director brutally murdered by (oh, my, talk about unfortunate coincidences) a fellow called Mohammed. Mr. al Amrikee helpfully explained that his video incitement of the murder of Matt Stone and Trey Parker wasn’t really “a threat but just the likely outcome.” All he was doing, he added, was “raising awareness” — you know, like folks do on Earth Day. On Earth Day, lame politicians dig a hole and stick a tree in it. But aggrieved Muslims dig a hole and stick a couple of comedy writers in it. Celebrate diversity!

Faced with this explicit threat of violence, what did Comedy Central do? Why, they folded like a Bedouin tent. They censored South Park, not only cutting all the references to Mohammed but, in an exquisitely postmodern touch, also removing the final speech about the need to stand up to intimidation.

Stone and Parker get what was at stake in the Danish-cartoons crisis and many other ostensibly footling concessions: Imperceptibly, incrementally, remorselessly, the free world is sending the message that it is happy to trade core liberties for the transitory security of a quiet life. That is a dangerous signal to give freedom’s enemies. So the South Park episode is an important cultural pushback.

Yet in the end, in a craven culture, even big Hollywood A-listers can’t get their message over. So the brave, transgressive comedy network was intimidated into caving in and censoring a speech about not being intimidated into caving in. That’s what I call “hip,” “edgy,” “cutting-edge” comedy: They’re so edgy they’re curled up in the fetal position, whimpering at the guy with the cutting edge, “Please. Behead me last. And don’t use the rusty scimitar where you have to saw away for 20 minutes to find the spinal column . . . “

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