Johann Sebastian Bach
I. The Ascension completes our faith in Him, who was God as well as man
The mystery of our salvation, dearly-beloved, which the Creator of the universe valued at the price of His blood, has now been carried out under conditions of humiliation from the day of His bodily birth to the end of His Passion. And although even in “the form of a slave” many signs of Divinity have beamed out, yet the events of all that period served particularly to show the reality of His assumed Manhood. But after the Passion, when the chains of death were broken, which had exposed its own strength by attacking Him, Who was ignorant of sin, weakness was turned into power, mortality into eternity, contumely into glory, which the Lord Jesus Christ showed by many clear proofs in the sight of many, until He carried even into heaven the triumphant victory which He had won over the dead. As therefore at the Eastern commemoration, the Lord’s Resurrection was the cause of our rejoicing; so the subject of our present gladness is His Ascension, as we commemorate and duly venerate that day on which the Nature of our humility in Christ was raised above all the host of heaven, over all the ranks of angels, beyond the height of all powers, to sit with God the Father. On which Providential order of events we are founded and built up, that God’s Grace might become more wondrous, when, notwithstanding the removal from men’s sight of what was rightly felt to command their awe, faith did not fail, hope did not waver, love did not grow cold. For it is the strength of great minds and the light of firmly-faithful souls, unhesitatingly to believe what is not seen with the bodily sight, and there to fix one’s affections whither you cannot direct your gaze. And whence should this Godliness spring up in our hearts, or how should a man be justified by faith, if our salvation rested on those things only which lie beneath our eyes? Hence our Lord said to him who seemed to doubt of Christ’s Resurrection, until he had tested by sight and touch the traces of His Passion in His very Flesh, “because you have seen Me, you have believed: blessed are they who have not seen and yet have believed John 20:29 .” →']);" class="more-link">Continue reading
I have been listening to an awful lot of Baroque music lately, as my Facebook friends know well These pieces will be old news to them, having already been edified by my musical selections over the last few weeks. But now I share them with you, as representatives of the greatest musical tradition in history. Let the musical fascism commence!
1. Antonio Vivaldi: Viola D’Amore Concerto in D Minor (RV 540). I love the sound of the viola d’amore. Few composers wrote music for it at all, and fewer still with the skill of Vivaldi. [A big thank you to Youtube subscriber Harmonico 101 for all of his fantastic uploads as well]
Something for Good Friday
The opening chorus of Bach’s St. John Passion, set to images from the Passion of the Christ.
Lord, our master, whose glory fills the whole earth, show us by your Passion that you, the true eternal Son of God, triumph even in the deepest humiliation.
I was inspired to transfer my brain goo to the computer screen over the last couple of hours. Here are the results. Here’s to a more fruitful discussion.
I haven’t talked extensively about why I rejected atheistic communism and made my way back to Catholicism. There were a number of reasons; being shown the logical and moral bankruptcy of materialism, the corruption I personally witnessed in the movement, the fact that I could never bring myself to really embrace any of the tenants of the cultural agenda, and so on. The idea of fighting for anything in a universe that did not, and could not care about the outcome of human events could no longer captivate me. I suppose some people are able to convince themselves of the possibility, even the certainty, of “goodness” in a reality that owes nothing to consciousness and will; to me, such a belief, no matter how comforting, would be a lie. And I cannot live a lie.