Many have heard the term, The Family That Prays Together Stays Together. Yet, how many are familiar with the life of Father Patrick Peyton, his rosary rallies which drew millions, and Family Theater which he started in Hollywood in 1947 and is still going strong today? How many are aware that Father Patrick Peyton drew over 1,000,000 people to several rosary rallies in the 1950s. He even drew over 550,000 to a 1961 San Francisco Rosary Rally, six years before the city became a focal point for the 1960s counter culture revolution and subsequent 1967 Summer of Love. As you can see, when we turn our back to faith, we find ourselves going down a very slippery slope. Yet, Father Patrick Peyton was a true visionary. He saw the slippery morals in tinsel town long before the 1960s and knew he needed to do something to counterbalance what was going on. He knew of Hollywood’s bad influence and moral collapse long before most realized it, and yet he truly believed that Family Theater would one day bring faith back to Hollywood and all who are influenced by her.
Who was this Renaissance man, a man of wealth and privilege, a man of many letters? Hardly, Father Patrick Peyton CSC came to the US during his teen years, penniless, uneducated and according to the world’s precepts harboring little potential. However, before he left the docks of Ireland his mother told him in no uncertain terms that with the Blessed Mother’s aid, he could do great things. After doing manual work for the Holy Cross Fathers he was allowed to enter the seminary at Notre Dame. Yet, shortly before he was to be ordained, he received a dire medical prognosis and it appeared that not only was his ordination in question, but his life itself was in peril. He did the only thing he could, pray unceasingly. His prayers were answered and he thanked the Blessed Mother along with St Joseph, both of which he had a strong devotion. He along with his brother was ordained in 1941. Continue reading
Highlights from the Dark, Dark Hours presented by General Electric Theater on December 12, 1954, 12 years before Reagan ran for Governor of California, and just a little over 9 months before Dean’s death in a car crash. Hattip to the Atlantic. Juvenile delinquency was a hot topic in the Fifties and in this morality play we see punk nihilism, magnificently portrayed by Dean, up against stolid decency ably portrayed by Reagan. This was made just after Reagan made the jump to television after his career as a leading man in Hollywood waned. Dean of course would go on to make the immortal Rebel Without a Cause which would be released after his death.