Jacobites

Lilliburlero

Something for the weekend.   The lilting strains of Lilliburlero from the classic movie Barry Lyndon (1975). 

The song originated during the Not So Glorious Revolution of 1688, after the usurper William of Holland, with the help of English traitors, chased James II, the rightful King of England, from his throne due to James’ Catholicism.  Like most of the Stuart monarchs, the bad points of James tended to outweigh his good points, but the obloquy heaped upon his reign in most of the histories of this period is largely a function of partisan distortion and outright religious bigotry.  On the other hand, Jacobite views of this period of British history, which goes to 1746 and the smashing of the army of Bonnie Prince Charlie, the grandson of James II at Culloden, tend greatly to exaggerate the virtues of the “Kings across the waters” who, Old Pretender (James II), Young Pretender (James III) and Bonnie Prince Charlie, were basically selfish blockheads who probably would have been disasters as monarchs if they had succeeded in regaining the throne.  History, alas, often gives us unpalatable alternatives. →']);" class="more-link">Continue reading

Catholic Romanticism in Cinema

To follow up my last post on Catholic Romanticism, I thought I would share some of my favorite cinematic experiences with you all. Since three is the best number, I present here three films that are a) among my all time favorites, b) have to do with the theme of Catholic Romanticism, c) have phenomenal soundtracks, and d) have Liam Neeson (starring in two, a smaller role in the other). For some reason he just shows up in many of my favorite films.

I loved these films even as an atheist. Like the music I have written of extensively, I believe the part of me that could appreciate the themes of these films is the same part of me that could eventually open my heart and soul to God. And as it does with that music, the sterile view of the universe that is the only logical outcome of atheism and materialism renders these very themes quaintly irrational at best, and dangerous at worst.

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