On June 24, the Iranian regime learned a, to them ominous, lesson. The protests continued in the face of savage brutality from the ruling mullahs. Atlas Shrugs has first rate coverage here. Gateway Pundit here has been on top of this story from day one. Ed Morrissey has coverage here of what happened when protesters march on the Parliament building in Tehran today:
As some of you may know, the French government is currently considering banning the burka altogether from public life. French President Sarkozy created something of a controversy when he said the following to French lawmakers:
“The problem of the burka is not a religious problem. This is an issue of a woman’s freedom and dignity. This is not a religious symbol. It is a sign of subservience; it is a sign of lowering. I want to say solemnly, the burka is not welcome in France”.
Aristotle taught that the purpose of tragedy is to inspire pity and fear in the audience, thence causing catharsis, a purging of emotion. I’ve always found his explanation of tragedy compelling, but as I get older (queue laughter at the thirty-year-old getting “older”) I find that I want to achieve catharsis much less than I used to. Not that my life is layered in tragedy or anything, indeed, far from it. But somehow, one just doesn’t feel as much like seeking out pity and fear at thirty as at twenty.
This has been running through my head as I’ve been reading about The Stoning of Soraya M.
- In a Death Seen Around the World, a Symbol of Iranian Protests, by Nazila Fathi (New York Times):
Only scraps of information are known about Ms. Agha-Soltan. Her friends and relatives were mostly afraid to speak, and the government broke up public attempts to mourn her. She studied philosophy and took underground singing lessons — women are barred from singing publicly in Iran. Her name means voice in Persian, and many are now calling her the voice of Iran.Her fiancé, Caspian Makan, contributed to a Persian Wikipedia entry. He said she never supported any particular presidential candidate. “She wanted freedom, freedom for everybody,” the entry read.
- Family, friends mourn Neda Agha-Soltan, Iranian woman whose death was caught on video, by Borzou Daragahi (Los Angeles Times). Neda Agha-Soltan, 26, ‘was a beam of light’ and not an activist, friends say. The video footage of her bleeding to death on the street has turned her into an international symbol of the protest movement.
- In Iran, One Woman’s Death May Have Many Consequences, by Robin Wright. (Time) – Neda is already being hailed as a martyr, a second important concept in Shi’ism. With the reported deaths of 19 people on June 20, martyrdom provides a potent force that could further deepen public anger at Iran’s regime.
Rioting in Tehran Saturday is shown in the above video. Protests are quickly developing into an insurrection. The Iranian government is using brutal force to suppress the dissidents, but reports from Iran clearly indicate that the situation is moving well beyond the ability of the government to suppress it without massive bloodshed. The Guardian has an hour by hour account of the events yesterday here. Nico Pitney here has been doing yeoman work in covering the crackdown at the Huffington Post. Ed Morrissey here has been doing his usual fine work covering breaking events at Hot Air.
I just finished reading Thomas F. Madden’s Empires of Trust: How Rome Built–and America Is Building–a New World, and I’m planning to write a couple posts shortly reviewing the book and the ideas it presents. As a prelude of sorts, however, I’d like to revisit some thinking I did a while back:
A month or so ago I finally had the chance to read Steven Vincent’s account of life outside the green zone in post-war Iraq: In The Red Zone. It’s a very fair book, and worth a read whether you support the war in Iraq or not. The author, since then killed in Iraq by militants, was a New York art reporter who watched the attacks on 9-11 and supported the Iraq war. Having supported the war, he felt like he should go over and see what was really happening over there. The book has the advantage of being writing from a culture writer’s point of view rather than a political writer’s. And although Vincent starts out as an enthusiastic supporter of the project, he ends unsure whether it’s possible for democracy to flourish in Iraq. (I’d be curious to read later work by him and see what he thought of the elections and the provisional constitution, both of which post date his book.)
This reminded me of my long held intention to read more about Islam, so I pull off the shelf the copy of Living Islam(now apparently out of print) by Ahbar S Ahmed which I’d bought on remainder some nine years ago and had been meaning to read ever since. Living Islam is half cultural history, half apologia (think a very, very light weight version of Letters To A Young Catholic with lots of pictures and basic intro information.)