Ides of March

Ides of March: Two Antonies

 

 

 

 

I think it would have amused the Romans of Caesar’s generation if they could have learned that the assassination of Julius Caesar would eventually receive immortality through a play written more than 16 centuries after the event by a barbarian playwright in the Tin Islands that Caesar had briefly invaded.  It would have tickled their well developed concept of the ludicrous, judging from Roman comedy.

The late Charlton Heston played Antony twice in films: in 1950 at age 27, the videos at the beginning of this post are from the 1950 film, and in 1970 at age 47:

Mark Antony was 39 at the time of the events depicted.  Plutarch tells us what happened:

And therefore, when Caesar’s body was brought to the place where it should be buried, he made a funeral oration in commendation of Caesar, according to the ancient custom of praising noblemen at their funerals. When he saw that the people were very glad and desirous also to hear Caesar spoken of, and his praises uttered, he mingled his oration with lamentable words, and by amplifying of matters did greatly move their hearts and affections unto pity and compassion. In fine, to conclude his oration, he unfolded before the whole assembly the bloody garments of the dead, thrust through in many places with their swords, and called the malefactors cruel and cursed murderers. With these words he put the people into such a fury, that they presently took Caesar’s body, and burnt it in the market-place with such tables and forms as they could get together. Then, when the fire was kindled, they took firebrands, and ran to the murderers’ houses to set them afire, and to make them come out to fight.

At this time Antony had a well deserved reputation as a wastrel and a well deserved reputation as a military man from his service under Caesar, but he had no reputation as an orator.  However, Antony’s paternal grandfather had been the foremost orator in Rome in his time, so there was a family tradition which Brutus and other conspirators would have done better to take into consideration before granting Antony a forum at Caesar’s funeral. Continue reading

Ides of March: Continuing Fascination

CASSIUS

Stoop, then, and wash. How many ages hence
Shall this our lofty scene be acted over
In states unborn and accents yet unknown!

BRUTUS

How many times shall Caesar bleed in sport,
That now on Pompey’s basis lies along
No worthier than the dust!

CASSIUS

So oft as that shall be,
So often shall the knot of us be call’d
The men that gave their country liberty.

 

 

 

I think it would have amused the Romans of Caesar’s generation if they could have learned that the assassination of Julius Caesar would eventually receive immortality through a play written more than 16 centuries after the event by a barbarian playwright in the Tin Islands that Caesar had briefly invaded.  It would have tickled their well developed concept of the ludicrous, judging from Roman comedy.

In the above video William Shatner gives a pretty poor rendition of the Mark Antony speech.  Charlton Heston, below, shows him how it should be done:

 

 

It is strange the fascination that the assassination of Caesar, more than twenty centuries ago, continues to exert.  Popular historian Barry Strauss has just released a book on the assassination of Caesar, to join the ranks of the many volumes on the subject that came before.  (Strauss is a first rate historian, and I have purchased this book although I have not yet read it.)  Why should this assassination remain of interest?  I think the clue is Dante placing Brutus and Cassius, the chief assassins, in the maws of Satan in his Inferno.  Dante was a partisan of the Empire, and thus the murders of Caesar, the man who gave the dying Republic its final, fatal blow and set the stage for the Empire, were worthy to be placed in the mouths of Satan, along with Judas who betrayed Christ. Continue reading

Ides of March: Brutus

This was the noblest Roman of them all:

All the conspirators, save only he,

 Did that they did in envy of great Caesar;

He, only in a general honest thought

And common good to all, made one of them.

Mark Antony referring to Brutus in Julius Caesar

I think it would have amused the Romans of Caesar’s generation if they could have learned that the assassination of Julius Caesar would eventually receive immortality through a play written more than 16 centuries after the event by a barbarian playwright in the Tin Islands that Caesar had briefly invaded.  It would have tickled their well developed concept of the ludicrous, judging from Roman comedy. Continue reading

Follow The American Catholic
Bookmark and Share
Subscribe by eMail

Enter your email:

Recent Comments
Archives
Our Visitors. . .
Our Subscribers. . .