For an institution which constantly harps on how the rest of us should vote, live and think, Hollywood often demonstrates shocking incompetence in its own business. A minor point is last night when Faye Dunaway and Warren Beatty announced that La La Land won best picture. Nope, it was Moonlight. Glad they had acting professionals up there reading off cards. Wags suggested that La La Land should have campaigned more in swing states.
The Man Who Shot Liberty Valance (1962), perhaps the greatest of Westerns, contains this gem of a scene with John Wayne, Lee Marvin, Jimmy Stewart, Strother Marvin, Lee Van Cleef and Woody Strode. Marvin as Liberty Valance is the archetypal mercenary gunslinger, his days, and the days of his kind, about to come to an end. Wayne as Tom Doniphon, rancher, is the obverse of Marvin, a man just as tough as Valance, if not tougher, but no bully. However, his time is also closing. Their destroyer? The almost clown like figure of Ransom Stoddard, portrayed by Jimmy Stewart. He knows nothing about guns, but he knows a lot about law, and law and civilization are fast coming to the range. This is John Ford’s eulogy to the Old West, and to this type of Western. Continue reading
What is it with liberals and coups? Recently several liberals, including entertainer? Sarah Silverman, and Obama era Pentagon bureaucrat Sarah Brooks, have been calling for/predicting a military coup against the Trump administration. Such fools have no concept of our military where the officers are trained from day one of their careers in the essential fact of civilian control of the military. If the impossible ever happened and some rogue faction of the military ever did move against Trump, the shots fired in such a coup attempt would merely be the opening shots in Civil War II. Liberals have often fantasized about a conservative military coup against the government of the United States, perhaps most famously in the novel and film of the Sixties entitled Seven Days in May. From current calls for a military coup emanating from the portside of our politics, such concerns about a conservative coup apparently were a case of the left projecting upon the right what the left would be tempted to do if confronted by a civilian government they viewed as a menace.
Hard to believe that it is more than half a century since the film Seven Days in May (1964) was released. Directed by John Frankenheimer with a screenplay by Rod Serling based on a novel published in 1962, the movie posits a failed coup attempt in the United States, with the Chairman of the Joint Chiefs of Staff, Air Force General James Mattoon Scott, played by Burt Lancaster, being the would be coup leader. Kirk Douglas plays Scott’s aide Marine Corps Colonel Martin Casey who, while agreeing with Scott that President Jordan Lyman’s nuclear disarmament treaty with the Soviets is a disaster, is appalled when he learns of the proposed coup, and discloses it to the President, portrayed by Frederic March.
The film is an example of liberal paranoia in the early sixties and fears on the port side of our politics of a coup by some “right wing” general. The film is unintentionally hilarious if one has served in our military, since the idea of numerous generals agreeing on a coup and keeping it secret, even from their own aides, is simply ludicrous. Our military leaks like a sieve, and general officers almost always view each other as competitors for political favor, rather than as co-conspirators.
Ironies abound when the film is compared to reality: Continue reading
The real heroes are dead.
When Audie Murphy starred in his aptly titled World War II biopic, To Hell and Back, his battlefield exploits were downplayed. Partially this was due to Murphy’s modesty, he had not wanted to appear in the movie and did so only after he was promised that much of the focus of the film would be on his buddies who died during the War, and partially due to the fact that what he did during the War was so unbelievably courageous that film audiences might have refused to believe it. Here is his Medal of Honor citation that he earned in truly hellish fighting near Holtzwihr, France on January 26, 1945:
General Orders No. 65
Washington 25, D.C., 9 August 1945
MEDAL OF HONOR – Award
* * * * *
I. MEDAL OF HONOR. – By direction of the President, under the provisions of the act of Congress approved 9 July 1918 (WD Bul. 43, 1918), a Medal of Honor for conspicuous gallantry and intrepidity at the risk of life above and beyond the call of duty was awarded by the War Department in the name of Congress to the following-named officer:
Second Lieutenant Audie L. Murphy, 01692509, 15th Infantry, Army of the United States, on 26 January 1945, near Holtzwihr, France, commanded Company B, which was attacked by six tanks and waves of infantry. Lieutenant Murphy ordered his men to withdraw to a prepared position in a woods while he remained forward at his command post and continued to give fire directions to the artillery by telephone. Behind him to his right one of our tank destroyers received a direct hit and began to burn. It’s crew withdrew to the woods. Lieutenant Murphy continued to direct artillery fire which killed large numbers of the advancing enemy infantry. With the enemy tanks abreast of his position, Lieutenant Murphy climbed on the burning tank destroyer which was in danger of blowing up any instant and employed its .50 caliber machine gun against the enemy. He was alone and exposed to the German fire from three sides, but his deadly fire killed dozens of Germans and caused their infantry attack to waver. the enemy tanks, losing infantry support, began to fall back. For an hour the Germans tried every available weapon to eliminated Lieutenant Murphy, but he continued to hold his position and wiped out a squad which was trying to creep up unnoticed on his right flank. Germans reached as close as 10 yards only to be mowed down by his fire. He received a leg wound but ignored it and continued the single-handed fight until his ammunition was exhausted. He then made his way to his company, refused medical attention, and organized the company in a counterattack which forced the Germans to withdraw. His directing of artillery fire wiped out many of the enemy; he personally killed or wounded about 50. Lieutenant Murphy’s indomitable courage and his refusal to give an inch of ground saved his company from possible encirclement and destruction and enabled it to hold the woods which had been the enemy’s objective.
* * * * *
BY ORDER OF THE SECRETARY OF WAR:
EDWARD F. WITSELL
Acting the Adjutant General
Chief of Staff Continue reading
Faith based films have seen a marked increase in Hollywood in the last several years. Critics were quick to dismiss the success of the Passion of the Christ some 12 years ago claiming its success was only caused by controversy, and the bankrolling of the picture by a celebrity like Mel Gibson. However, a few short years later came Fireproof and Courageous. Both these films had an estimated budget of 1-2 million dollars and they grossed about $33,000,000. In 2011 a subtle pro-life film October Baby came out and moved the genre along to more success.
This set up the wildly successful 2014 which included films like God’s not Dead, Heaven is for Real, Mom’s Night Out etc. The success continued in 2015 and 2016. Word is the big studios are now reaching out to small faith based companies to see if they forge partnerships, which while helpful also presents some serious concerns for faith based companies.
In full disclosure, the writers and producers of God’s not Dead are friends of mine who a few years ago came to a talk I gave at Family Theater in Hollywood, and then took my wife and me to dinner after reading one of screenplays. In a faith based world filled with Evangelicals, Cary Solomon and Chuck Konzelman, as well as the crew at Family Theater in Hollywood are Catholic. For those interested in Family Theater, you might want to read my past article on the late Father Patrick Peyton , the Rosary priest who is on the road to canonization.
In secular 2016, it is hard to believe how well received Father Peyton was in Hollywood. Family Theater is where James Dean and William Shatner got their starts. A trip inside Family Theater affords one an array of pictures from Hollywood’s Golden Era when Lucille Ball, Bob Hope, Ronald Reagan and Grace Kelly all starred in Family Theater production films. A side note, tucked away in closet at Family Theater is an old film splicer. Rumor has it a young film student from USC named George Lucas used it to edit a Family Theater production film featuring a recently arrived young Canadian actor named William Shatner.
Everyone has their own story on how they ended up in the faith based realm. Chuck and Cary worked with the likes of Sylvester Stallone and other action oriented films for years until they could no longer resist the call to do faith based films. While they like Stallone, too few other people had the heart or character of Rocky Balboa in Hollywood. The initial years were tough, especially when hardly anyone was doing faith based films, they literally went into the valley before they could get back up to see the Promised Land. Needless to say, many thought they had lost their minds saying goodbye to the mainstream and taking the road less traveled.
Some readers might recall my initial 2014 review of God’s not Dead. The film made on a budget of $1,000,000 that initially generated a US box office figure of $60,000,000 and when all the worldwide receipts were accounted including foreign box office, DVD, movie subscription services etc totaled over$100,000,000. Generally writers and producers don’t see the kind of big money on an out of the blue success story like God’s not Dead. It comes later. If one thinks politics can be dirty, one needs to understand how the movie and music industry works.
Some film critics, even those in the faith based community complain that some of the scripts can be predictable, and perhaps the faith based angle needs to be more subtle, grittier and more provocative. Most faith based writers have no qualms with this argument. They are often put in a Catch 22, they either write a film that would be approved by faith based film companies like Pure Flix or risk the big studios saying a more subtle faith based approach is still too “faithful” for them.
Some secular critics showed nothing but venom for God’s not Dead, ( a Variety review actually used the words “Nazi propaganda film” to describe a scene) and the just released God’s not Dead 2 claiming Christians aren’t persecuted by the secular world. Then stories emerged that literally came right out of the plot lines of both films. Yet, these militant secularists give no apology.
While the critics of faith based films will always be sharpening their pens and swords, there is reason to believe that some of the Big Studios are seeing the light–or at least the financial possibilities. As mentioned above, some of the big time Hollywood studios are beginning to reach out to smaller faith based studios. Also, more faith based film companies are emerging. In addition up and comers like Nathan Leon, a talented writer, producer and director received some notice for his film/documentary Sidewalk Chronicles on Unplanned Pregnancies which led to adoptions that positively changed the lives of so many. He and many others like him are generating some buzz in Tinseltown.
Indeed I met Leon and many other young talented men and women, while I was out in Hollywood a few weeks ago. I had been invited invited by Chuck and Cary for their premier party for God’s not Dead 2, over dinner they shared with me their big plans. They are literally this week putting the fishing touches on God’s not Dead 3 which should start to film in a month or so and be out in theaters next March or April. Also, they have an ambitious blueprint for the future and are seeking investors for their own studio and several projects are already in the works. Who knows where there this will all lead, but there are shoots and blossoms being seen in Hollywood. In a town known for fully embracing the dark side, shoots and blossoms of faith are a very good thing.
There have been surprisingly few movies on D-Day, as indicated by the fact that three out of the five videos looked at below are from television miniseries. Here are the five best from a scarce lot:
5. Ike: The War Years (1978)
Robert Duvall as Eisenhower gives his usual riveting performance. The late Lee Remick gives a good performance as Captain Kay Summersby, the British driver/secretary assigned to Eisenhower. Unfortunately the miniseries centers around the relationship of Eisenhower and Summersby, a relationship which is subject to historical dispute.
4. Ike: Countdown to D-Day (1995)
Tom Selleck gives a very good portrayal of Eisenhower in the days leading up to D-Day. The video does a first rate job of portraying the problems that Eisenhower confronted: getting prima donnas like Montgomery and Patton to work as a part of a team, concerns about the weather, the deception campaign to convince the Nazis that Calais would be the invasion site, etc. The video also shines a light on the weight of responsibility which Eisenhower bore, especially when we see him write out a note just before the invasion taking full responsibility on his shoulders if it failed.
3. Band of Brothers (2001)
The epic miniseries covering the exploits of Easy Company, 506th Parachute Infantry Regiment, 101st Airborne, captures well the chaos of the parachute and glider operations behind German lines that were so critical a part of the Allied victory on D-Day. Continue reading
So comedic actor Seth Rogen doesn’t hesitate to call Christians the A-word for supporting Hobby Lobby. Knowing that Christians don’t retaliate, maybe at worst start a picket line.
Seth Rogen is so fortunate to live in a country built upon Christian values. If he were in an Islamic or Communist nation, he wouldn’t be alive today.
Keep up the bad work Seth Rogen.
It has long amused me that in a country with 40% of the population considering themselves to be conservatives, we have an entertainment industry so dominated by a political point of view that regards conservatives with contempt. Andrew Klavan, in his own inimitable fashion, explains how Hollywood distorts reality and presents it to us as entertainment.
Cars is one of the few Pixar or Dreamworks movies that I have not seen (and with a two-year old, I’ve seen a lot). Well it doesn’t look like I’ll be seeing the sequel either.
Debuting in theaters this Friday, the seemingly innocuous Disney-Pixar film ‘Cars 2’ has become a tool to wedge a fight against fossil fuels in favor of alternative forms of energy.
When John Lasseter moved from executive producer to executive director last year, he overhauled major portions of the plot into a good vs. evil story against big oil.
From the only reliable source of news on the net, The Onion. It is only a rumor that the 5 year old screen writer was brought in to do last minute patch ups on the screenplay for Mel Gibson’s beaver opus, The Beaver.
She continues to invited on MSNBC and network morning shows spouting out words of wisdom when asked her opinions on important topics of the day.
But why is she constantly being invited back when she’s not even a political pundit nor works in politics for that matter?
No problem, she now offers us what she knows about Christianity.
We are all better for it.
In fact, I feel that after being exposed to this intellectual superior, I’ve regressed enough to begin enjoying her comedy bits!
(Biretta tip: Andrew Breitbart)