Faith based films have seen a marked increase in Hollywood in the last several years. Critics were quick to dismiss the success of the Passion of the Christ some 12 years ago claiming its success was only caused by controversy, and the bankrolling of the picture by a celebrity like Mel Gibson. However, a few short years later came Fireproof and Courageous. Both these films had an estimated budget of 1-2 million dollars and they grossed about $33,000,000. In 2011 a subtle pro-life film October Baby came out and moved the genre along to more success.
This set up the wildly successful 2014 which included films like God’s not Dead, Heaven is for Real, Mom’s Night Out etc. The success continued in 2015 and 2016. Word is the big studios are now reaching out to small faith based companies to see if they forge partnerships, which while helpful also presents some serious concerns for faith based companies.
In full disclosure, the writers and producers of God’s not Dead are friends of mine who a few years ago came to a talk I gave at Family Theater in Hollywood, and then took my wife and me to dinner after reading one of screenplays. In a faith based world filled with Evangelicals, Cary Solomon and Chuck Konzelman, as well as the crew at Family Theater in Hollywood are Catholic. For those interested in Family Theater, you might want to read my past article on the late Father Patrick Peyton , the Rosary priest who is on the road to canonization.
In secular 2016, it is hard to believe how well received Father Peyton was in Hollywood. Family Theater is where James Dean and William Shatner got their starts. A trip inside Family Theater affords one an array of pictures from Hollywood’s Golden Era when Lucille Ball, Bob Hope, Ronald Reagan and Grace Kelly all starred in Family Theater production films. A side note, tucked away in closet at Family Theater is an old film splicer. Rumor has it a young film student from USC named George Lucas used it to edit a Family Theater production film featuring a recently arrived young Canadian actor named William Shatner.
Everyone has their own story on how they ended up in the faith based realm. Chuck and Cary worked with the likes of Sylvester Stallone and other action oriented films for years until they could no longer resist the call to do faith based films. While they like Stallone, too few other people had the heart or character of Rocky Balboa in Hollywood. The initial years were tough, especially when hardly anyone was doing faith based films, they literally went into the valley before they could get back up to see the Promised Land. Needless to say, many thought they had lost their minds saying goodbye to the mainstream and taking the road less traveled.
Some readers might recall my initial 2014 review of God’s not Dead. The film made on a budget of $1,000,000 that initially generated a US box office figure of $60,000,000 and when all the worldwide receipts were accounted including foreign box office, DVD, movie subscription services etc totaled over$100,000,000. Generally writers and producers don’t see the kind of big money on an out of the blue success story like God’s not Dead. It comes later. If one thinks politics can be dirty, one needs to understand how the movie and music industry works.
Some film critics, even those in the faith based community complain that some of the scripts can be predictable, and perhaps the faith based angle needs to be more subtle, grittier and more provocative. Most faith based writers have no qualms with this argument. They are often put in a Catch 22, they either write a film that would be approved by faith based film companies like Pure Flix or risk the big studios saying a more subtle faith based approach is still too “faithful” for them.
Some secular critics showed nothing but venom for God’s not Dead, ( a Variety review actually used the words “Nazi propaganda film” to describe a scene) and the just released God’s not Dead 2 claiming Christians aren’t persecuted by the secular world. Then stories emerged that literally came right out of the plot lines of both films. Yet, these militant secularists give no apology.
While the critics of faith based films will always be sharpening their pens and swords, there is reason to believe that some of the Big Studios are seeing the light–or at least the financial possibilities. As mentioned above, some of the big time Hollywood studios are beginning to reach out to smaller faith based studios. Also, more faith based film companies are emerging. In addition up and comers like Nathan Leon, a talented writer, producer and director received some notice for his film/documentary Sidewalk Chronicles on Unplanned Pregnancies which led to adoptions that positively changed the lives of so many. He and many others like him are generating some buzz in Tinseltown.
Indeed I met Leon and many other young talented men and women, while I was out in Hollywood a few weeks ago. I had been invited invited by Chuck and Cary for their premier party for God’s not Dead 2, over dinner they shared with me their big plans. They are literally this week putting the fishing touches on God’s not Dead 3 which should start to film in a month or so and be out in theaters next March or April. Also, they have an ambitious blueprint for the future and are seeking investors for their own studio and several projects are already in the works. Who knows where there this will all lead, but there are shoots and blossoms being seen in Hollywood. In a town known for fully embracing the dark side, shoots and blossoms of faith are a very good thing.
Many have heard the term, The Family That Prays Together Stays Together. Yet, how many are familiar with the life of Father Patrick Peyton, his rosary rallies which drew millions, and Family Theater which he started in Hollywood in 1947 and is still going strong today? How many are aware that Father Patrick Peyton drew over 1,000,000 people to several rosary rallies in the 1950s. He even drew over 550,000 to a 1961 San Francisco Rosary Rally, six years before the city became a focal point for the 1960s counter culture revolution and subsequent 1967 Summer of Love. As you can see, when we turn our back to faith, we find ourselves going down a very slippery slope. Yet, Father Patrick Peyton was a true visionary. He saw the slippery morals in tinsel town long before the 1960s and knew he needed to do something to counterbalance what was going on. He knew of Hollywood’s bad influence and moral collapse long before most realized it, and yet he truly believed that Family Theater would one day bring faith back to Hollywood and all who are influenced by her.
Who was this Renaissance man, a man of wealth and privilege, a man of many letters? Hardly, Father Patrick Peyton CSC came to the US during his teen years, penniless, uneducated and according to the world’s precepts harboring little potential. However, before he left the docks of Ireland his mother told him in no uncertain terms that with the Blessed Mother’s aid, he could do great things. After doing manual work for the Holy Cross Fathers he was allowed to enter the seminary at Notre Dame. Yet, shortly before he was to be ordained, he received a dire medical prognosis and it appeared that not only was his ordination in question, but his life itself was in peril. He did the only thing he could, pray unceasingly. His prayers were answered and he thanked the Blessed Mother along with St Joseph, both of which he had a strong devotion. He along with his brother was ordained in 1941. Continue reading