In honor of my bride who is a descendant of King Harald Hardrada.
Hard to believe that it is half a century since the film Seven Days in May (1964) was released. Directed by John Frankenheimer with a screenplay by Rod Serling based on a novel published in 1962, the movie posits a failed coup attempt in the United States, with the Chairman of the Joint Chiefs of Staff, Air Force General James Mattoon Scott, played by Burt Lancaster, being the would be coup leader. Kirk Douglas plays Scott’s aide Marine Corps Colonel Martin Casey who, while agreeing with Scott that President Jordan Lyman’s nuclear disarmament treaty with the Soviets is a disaster, is appalled when he learns of the proposed coup, and discloses it to the President, portrayed by Frederic March.
The film is an example of liberal paranoia in the early sixties and fears on the port side of our politics of a coup by some “right wing” general. The film is unintentionally hilarious if one has served in our military, since the idea of numerous generals agreeing on a coup and keeping it secret, even from their own aides, is simply ludicrous. Our military leaks like a sieve, and general officers almost always view each other as competitors for political favor, rather than as co-conspirators.
Ironies abound when the film is compared to reality: Continue Reading
Something for the weekend. One of the most powerful depictions of Christ on film from the movie Ben Hur (1959). A wonderful melding of music and dialogue as Christ goes silently to the aid of Ben Hur and gives him water. The wordless encounter between Christ and the Centurion was amazing, as the Centurion’s face registers bewilderment, shame and curiosity as he has a totally unexpected encounter with the Divine. Whatever the actor who played the Centurion was earning that day, it wasn’t nearly enough.
I mean I’d pray for myself, but I’ve never prayed—nobody ever taught me how.
Dr. Ryan Stone, Gravity
This most beautiful system of the sun, planets, and comets, could only proceed from the counsel and dominion of an intelligent and powerful Being.
Sir Isaac Newton
Something for the weekend. The Hank Williams, Jr. tune Angels Are Hide to Find from the movie Gravity (2013). I picked up a copy of the movie Gravity, not expecting much, and assuming that I would probably quickly resell it on e-bay. Somehow I had managed to read nothing about the film. I was astonished at how much I enjoyed the film and how much it had to say about the human condition. My review is below and the usual caveat about spoilers apply. Continue Reading
Something for the weekend. A musical medley from the movie Major Dundee (1965). Sam Pekinpah’s flawed, unfinished masterpiece, the film tells the fictional account of a mixed force of Union soldiers and Confederate prisoners who join forces to hunt and ultimately defeat an Apache raider, Sierra Charriba, in 1864-65. Charlton Heston gives an outstanding performance as Major Amos Dundee, a man battling his own personal demons of a failed military career, as he commands this Union-Confederate force through northern Mexico on the trail of the Apache, with fighting often threatening to break out between the Union and Confederate soldiers. Use of Confederate prisoners as Union soldiers in the West was not uncommon. Six Union infantry regiments of Confederate prisoners, called “Galvanized Yankees”, served in the West. The final section of the film involving a battle between Major Dundee’s force and French Lancers, the French occupying Mexico at the time, has always struck me as one of the best filmed combat sequences in any movie.
Here is a fan made trailer for the restored edition that was released in 2005 that included much of the footage that was cut over Pekinpah’s protests:
http://www.youtube.com/watch?v=JMh8RtN2Y1Q Continue Reading
An interesting film for Advent or Chistmas is a John Wayne flick. John Wayne in a Christmas movie? Yep, The Three Godfathers in 1948! Another fruitful John Ford and John Wayne collaboration, the film was released in December 1948. Three bank robbers, John Wayne, Pedro Armedariz and Harry Carey, Jr., stumble across a dying woman and her newborn son in a desert in the American Southwest. The three outlaws, although they are attempting to elude a posse, promise the dying woman to look after her son.
(I originally posted this in 2009 when the blog readership was much smaller. The Caine Mutiny has always been one of my favorite films and I am taking the excuse of my vacation from the blog to repost this review.)
For my sins, perhaps, I have spent my career as an attorney. Over the past 31 years I’ve done a fair number of trials, both bench and jury, and I am always on the lookout for good depictions of trials in films, and one of the best is The Caine Mutiny. Based on the novel of the same name by Herman Wouk, who served in the Navy as an officer in the Pacific during World War II, the movie addresses the question of what should, and should not, be done in a military organization when the man at the top of the chain of command is no longer in his right mind.
The cast is top notch. Humphrey Bogart, an enlisted man in the Navy during WWI and a member of the Naval Reserve, he tried to enlist again in the Navy after Pearl Harbor but was turned down because of his age, gives the performance of his career as Lieutenant Commander Philip Francis Queeg, the captain of the Caine. In the hands of a lesser actor Queeg could easily have become merely a two-dimensional madman. Bogart instead infuses Queeg with pathos and demonstrates to the audience that this is a good man who sadly is no longer responsible mentally for his actions. Van Johnson delivers his usual workmanlike job as Lieutenant Stephen Maryk, the “exec” of the Caine, a career officer who does his best to remain loyal to an obviously disturbed CO, while also attempting to protect the crew of the Caine from Queeg’s increasingly erratic behavior. Robert Francis, as Ensign Willis Seward Keith, is the viewpoint character, too young and inexperienced to make his own judgment he relies on Maryk and Lieutenant Keefer. Fred MacMurray is slime incarnate as Lieutenant Thomas Keefer, a reservist who hates the Navy, spends all his time writing a novel, and eggs Maryk on to take command away from Queeg. Finally, in a typhoon, reluctantly and only, as he perceives it, to save the ship, Maryk, with the support of Keith, relieves Queeg from command.
In the ensuing court-martial of Maryk and Keith, lawyer Lieutenant Barney Greenwald, portrayed with panache by Jose Ferrer, reluctantly agrees to defend them.
What I admire most about the film is the realistic way that the defense is depicted. A legal case consists of the facts, the law and people. Continue Reading
In the past year three films on President Lincoln have been released: the truly odious Abraham Lincoln Vampire Hunter, the superb Lincoln and now the low budget, funded by Kickstarter, Saving Lincoln. I am pleased to report that I think Saving Lincoln is much closer in quality to Lincoln than Vampire Hunter. The film has an intriguing take on Mr. Lincoln and I was both amused and moved by it. My full review is below. The usual caveat regarding spoilers ahead is given. Continue Reading
(This post originally ran in 2010. The movies listed would make excellent viewing tomorrow and any day.)
Last year I listed here my top ten picks for movies about the America Revolution for the Fourth. This year here is my list of patriotic movies for the Fourth.
10. National Treasure (2004)-Sure it’s cursed with a ridiculous plot involving the masons and a treasure, it is still a lot of fun and calls us back to the foundation document, the Declaration of Independence, that is the cornerstone of our Republic.
9. Hamburger Hill (1987)-Content advisory: very, very strong language in the video clip which may be viewed here. All the Vietnam veterans I’ve mentioned it to have nothing but praise for this film which depicts the assault on Hill 937 by elements of the 101rst Division, May 10-20, 1969. It is a fitting tribute to the valor of the American troops who served their country in an unpopular war a great deal better than their country served them.
8. Yankee Doodle Dandy (1942)-James Cagney in perhaps the greatest film bio of them all, a salute to George M. Cohan, the legendary composer, playwright and patriot.
7. The Alamo (1960)-“The Republic” scene from The Alamo, a film which was basically John Wayne’s love note to America.
6. Gettysburg (1993)-The movie that I think comes the closest to conveying to us the passions of the Civil War. You really can’t understand America unless you understand the Civil War. As Shelby Foote, one of the greatest historians of the war, said: “Any understanding of this nation has to be based, and I mean really based, on an understanding of the Civil War. I believe that firmly. It defined us. The Revolution did what it did. Our involvement in European wars, beginning with the First World War, did what it did. But the Civil War defined us as what we are and it opened us to being what we became, good and bad things. And it is very necessary, if you are going to understand the American character in the twentieth century, to learn about this enormous catastrophe of the mid-nineteenth century. It was the crossroads of our being, and it was a hell of a crossroads.”
Introduction to the movie Gettysburg. Released on the 130th anniversary of the battle, I will have it playing at my home during the 150th anniversary next week. Overlong, and historically suspect, especially as to its Longstreet-could-do-no wrong perspective, it still is a masterpiece. It captures perfectly the desperate nature of the battle that has become the symbol of that fratricidal conflict. The late Shelby Foote once said that to understand this country you needed to understand the Civil War. I concur, and I would also suggest that it is impossible to understand the Civil War without understanding Gettysburg, a battle which marked the end of Lee’s perceived invincibility and gave Lincoln an opportunity to explain to the people why so many men had to die so their nation might live.
Stay tuned to The American Catholic for several posts in the next few days on Gettysburg and the Civil War.
If there is a forgotten theater where American troops fought in World War II, it is most definitely the Aleutians. The Japanese took Attu and Kiska, islands in the Aleutian chain, in June of 1942, to forestall the Aleutians being used as a base for a move on the Japanese Home Islands from the Aleutians. Due to the rugged weather conditions, the US had never seriously entertained using the Aleutians as a staging area for future offensives. However, Attu and Kiska were American territory, and national pride, as well as alarm from the Alaskan territorial government, made inevitable an American campaign to take back the strategically worthless islands. Continue Reading
There is well known to Us, Venerable Brethren – and it is a great cause of consolation for Our paternal heart – your constancy, that of your priests and of the great part of the Mexican faithful, in ardently professing the Catholic Faith and in opposing the impositions of those who, ignoring the divine excellence of the religion of Jesus Christ and knowing it only through the calumnies of its enemies, delude themselves that they are not able to accomplish reforms for the good of the people except by combating the religion of the great majority.
Pius XI, FIRMISSIMAM CONSTANTIAM
The film, For Greater Glory, the heroic story of the Cristeros who fought for the Church and religious liberty in the twenties of the last century in Mexico, is opening on June 1. Go here to read my first post on the film and the historical background of the Cristeros War. I will be seeing the movie with my family on Saturday, and I will have a full review of the film on Sunday or Monday. In the meantime, reviews are beginning to come in. I enjoyed this one by Dustin Siggins at Hot Air:
Over the last several years Catholics in America and Europe have experienced what they believe are the stripping of religious rights, and many are concerned the situation could easily turn into a public confrontation with various governments. One example of this is in England, where just this week the federal government has moved to declare wearing crosses in public is not a right. On this side of the water, my church’s parochial vicar Father Robert Lange often quotes His Eminence Francis Cardinal George, Archbishop of Chicago, who in 2010 said the following: “I expect to die in bed, my successor will die in prison and his successor will die a martyr in the public square.”
Such things were on my mind as I watched “For Greater Glory,” a movie about the Cristeros, or “soldiers for Christ,” who fought against religious persecution by the Mexican government from 1926 to 1929. The movie starts with laws which encroach upon religious freedom relatively benignly, such as not allowing the public wear of religious symbols. The Mexican government then moves to decry foreigners who allegedly control the nation’s citizens, particularly the Vatican, and rounds up all foreign-born bishops and priests to force them to leave the country. Peaceful rallies and protests are responded to with military force, which leads to an economic boycott.
The boycott is the last straw for Mexican President Plutarco Elías Calles. Ignoring the counsel of his advisers, he begins invading churches and killing Catholic priests and parishioners. This leads to protests of various forms, from peacefully marching in the streets to violent rebellion. At the heart of the entire movie are a teenage boy who sees his mentor shot before his eyes, an atheist whose wife’s Catholic faith and his own belief in religious freedom cause him to lead the rebellion, a woman whose network of faithful Catholic women is critical to the rebellion’s early formation, a rebel whose legendary fighting skills are matched by his disdain for authority, and a priest whose violent leadership in the rebellion causes a great deal of spiritual uncertainty. Continue Reading
One of the last remaining survivors of the Golden Age of Hollywood has passed away:
The chimpanzee – who arrived at the sanctuary in 1960 – loved finger-painting and watching football and was soothed by Christian music, the sanctuary’s outreach director Debbie Cobb told the Tampa Tribune.
Back in the Sixties the old Johnny Weissmuller Tarzan movies were replayed endlessly on TV, and as a boy I loved them. Completely inaccurate as to Africa, and with plots as skimpy as some of the costumes worn by Maureen O’Sullivan as Jane, they were always good, and, not infrequently, hilarious entertainment. I have always treasured Tarzan’s commentary on the legal system in Tarzan’s New York Adventure (1942) where an evil circus owner is attempting to use the courts to win custody of Boy: Continue Reading
The movie itself will not be released until December 14, 2012 (!), but the trailer is just in time to add to our Christmas cheer!
Action films have always been a favorite of mine and nothing comes close to action as those from the 80s. With Expendables 2 coming out any man worth his salt will make a beeline to the nearest theater to watch an ensemble of some of the best of the 80s and today’s action stars.
In addition to Stallone, Willis, and Schwarzenegger you see my personal favorite Jason Statham along with Dolph Lundgren, Mickey Rourke, Chuck Norris, and Jean-Claude Van Damme. Of course there are more, but I’ll let you all figure the rest out in this trailer.
She was very beautiful and enchanting and her role as Margaret More captured the essences of an integrated Catholic life that is an excellent example for laypeople everywhere today.
The following clip is that of the King paying his Lord Chancellor, Saint Thomas More, a visit on his estate. The King encounters More’s family and is introduced to More’s daughter, Margaret, at the :45 mark of the clip. They engage in conversation at the 1:32 mark of the clip. The entire 10 minutes should be viewed to really enjoy her performance and appreciate the film itself:
Here is the trailer to that magnificent Catholic film, A Man For All Seasons:
Post script: I was unable to find out if Susannah York was a Catholic or not, but her portrayal of Margaret More is a fine example of living a Catholic life.
Cross-posted at Gulf Coast Catholic.
A new documentary on the life of Archbishop Fulton J. Sheen will be shown in movie theaters as pre-release screenings. It will also be available in DVD format (TBD).
A brief synopsis of the film is provided by the distributor (with minor editing):
“Archbishop Fulton J. Sheen: Servant of All” is a one-hour documentary that tells the story of Sheen and the tremendous impact he had on individuals, the Catholic community, the American public, and the world. Divided into five main sections, the film uses still images, video footage and interviews with those who knew Sheen to tell the story of this remarkable man, gifted teacher, missionary, priest, and loyal son of the Church.
UPDATE at the BOTTOM
The famous director of the movies The Mission and The Killing Fields, Roland Joffe, has just released a trailer teaser to his new film he is producing that encapsulates the early life of Saint Josemaria Escriva.
The film is about a news reporter investigating the life of his father where he discovers that his father was a lifelong friend of Saint Josemaria Escriva.
Last week marked the arrival of the trailer for the third “Chronicles Of Narnia” movie, The Voyage Of The Dawn Treader, and as everybody knows, C.S. Lewis news always comes in twos. It appears that Lewis’ religious allegory The Great Divorce is the latest of his work be slated for the big screen, according to Variety’s announcement that production studios Beloved Pictures and Mpower Pictures are joining forces to co-produce. Children’s author N.D. Wilson, known for the 100 Cupboards fantasy trilogy and his parodies of the Left Behind series, is attached to adapt the screenplay. With luck, the arrival of Mpower (The Stoning Of Soroya M.) will jump-start the project, and let it avoid the seemingly never-ending gestation plaguing the film adaptation of Lewis’ The Screwtape Letters, which was announced back in 2006, scheduled for a 2008 release, and delayed until 2010. It’s seen little discernable progress since.
A new film, Under the Roman Sky, starring James Cromwell as Pius XII, details the heroic efforts of Pius XII to save the Jews of Rome from the Nazis, after Rome came under Nazi occupation subsequent to the fall of Mussolini following the Allied invasion of southern Italy in 1943.
Rabbi David G. Dalin, in his review of a Moral Reckoning, a tome by Daniel Goldhagen which sought to blame Catholicism for the Holocaust, details the efforts of the Pope to save the Jews of Rome:
Goldhagen’s centerpiece is the outrageous allegation that Pius XII “did not lift a finger to forfend the deportations of the Jews of Rome” or of other parts of Italy “by instructing his priests and nuns to give the hunted Jewish men, women and children sanctuary.” Much of this is lifted straight from anti-Pius books like Susan Zuccotti’s Under His Very Windows–and thus Goldhagen repeats the errors of those books and adds extras, all his own, in his determined attempt to extend their thesis into over-the-top railings against the sheer existence of Catholicism.
Frank James Cooper, a\k\a Gary Cooper, was a child of the last century, being born into it on May 7, 1901, the son of Charles and Alice Cooper. Unlike Alvin C. York, Cooper was born into a prosperous family, his father being a farmer turned attorney who would eventually serve on the Montana Supreme Court. His parents were English immigrants from Bedfordshire, and from 1910-1913, Gary and his brother were educated in England.
After high school, Cooper went on to study at Grinnell College for a few years, although he did not receive a degree. After an unsuccessful attempt to earn a living as an editorial cartoonist in Helena, he followed his parents out to Los Angeles where they had retired. Cooper later said that if he was going to starve, he might as well do it where it was warm rather than where it was freezing.
Out in the land of fruits and nuts, Cooper tried his hand at many things in order to earn a living: promoter for a photographer, a seller of electrical signs and even applied for work as an ink-stained wretch at a newspaper. Out of desperation for employment rather than any burning desire to be an actor, Cooper began to work as an extra in movies. A friend, Nan Collins, advised him to change his name to Gary after her hometown of Gary, Indiana, and Cooper took her advice. After several years as an extra, Cooper achieved early stardom in the western, The Virginian. Although he would appear in every type of film imaginable in his career, Cooper always appeared most comfortable in Westerns, a genre which fit his understated, laid back acting style, and his laconic speech. Cooper specialized in playing ordinary decent men, trying to do their best in extraordinary situations. He also had a flair for comedy where his dead pan delivery, combined with a dry wit, ensured laughter whatever “funny” lines he was attempting to deliver.
The archetypal film during this period of his career for Cooper was The Westerner where he played a cowboy who tangled with “Judge” Roy Bean, “Law West of the Pecos”, magnificently portrayed by Walter Brennan who appeared with Cooper in several films, including Sergeant York as York’s pastor. The film is a skillful mixture of comedy and drama, with Cooper giving a bravura performance.
Alvin C. York had been approached by Hollywood producer Jesse Lasky several times, beginning in 1919, to make a movie of his life. Each time he refused, summing up his position simply with the phrase, “This uniform ain’t for sale.”
One of my favorite historians is Edward Gibbon. I have made my way through his Decline and Fall of the Roman Empire several times. I find his style entertaining, his wit dry, and his scholarship, for his time, adequate. Unfortunately Gibbon was also an anti-Catholic bigot, in part a reaction to a brief conversion to the Faith as a teen-ager, which exposed him to considerable paternal displeasure. His bigotry is on full display whenever he treats of the Church, but usually he does not distort the facts. That was not the case in his account of the female philosopher Hypatia, and the fate she met in Egypt in 391 AD. That account, usually in distorted form, is a staple of anti-Catholic and atheist websites. Now Hypatia is the heroine of a Catholic bashing movie Agora. The English trailer of the movie is at the top of this post. David Hart has a superb post at First Things correcting Gibbon and the movie.
The occasion of my misery is the release of Alejandro Amenábar’s film Agora, which purports to be a historical account of the murder of the female philosopher Hypatia by a Christian mob in the early fifth century, of the destruction of the Great Library of Alexandria, and (more generally) of an alleged conflict that raged in the ancient world between Greek science and Christian faith. I have not actually seen the movie, and have no intention of doing so (I would say you couldn’t pay me to watch it, but that’s not, strictly speaking, true). All I know about it is what I have read in an article by Larry Rohter in the New York Times. But that is enough to put my teeth on edge.
A comedy from the U.K. where a devout British Muslim finds out he was not born a Muslim.
Watch the rest of the trailer for some really good English humour!
My wife gave me for my birthday on Saturday a compilation collection of 15 World War II films. I immediately noticed one of the titles: Go For Broke (1951). It had been over thirty years since I last viewed that film and I watched it last night and greatly enjoyed it.
Go For Broke, tells the story of the 442nd regimental combat team during World War II. Made up of first generation Japanese-Americans, Nisei, the 442nd, along with the 100th Infantry battalion, made up of Nisei from Hawaii and which became associated with the 442nd, fought in Italy, France and Germany. Many of the Japanese-American actors in the film were combat veterans of the 442nd which lends the film a very realistic, almost documentary feel, especially in the combat sequences.
The film opens in 1943 at Camp Shelby, Mississippi where the men of the 442nd are being trained. Van Johnson, portraying Lieutenant Michael Grayson, is a “90 day wonder”, an enlisted man commissioned as a 2nd Lieutenant after completing a 90 days officer’s candidate school. Prior to officer’s candidate school he had been a member of the 36th National Guard Division, one of several National Guard units from Texas that fought in World War II, sometimes waggishly refered to as the Texan Army. Grayson was hoping that he would be reassigned to the 36th and is dismayed to find that he will be leading Japanese-American troops, sharing to the full the prejudice that most Americans felt against everything Japanese following Pearl Harbor. He immediately asks Colonel Charles W. Pence, portrayed by Warner Anderson, for a transfer to the 36th. Pence quickly realizes, despite the denials of Grayson, that he is prejudiced against the Japanese-Americans, and informs him in no uncertain terms that his men are loyal Americans, that there will no be transfer, and that he is to take up his duties as a platoon commander, a 40 man unit, immediately. The scene shifts to the platoon, where the men are relaxing in the barracks. Other than their ancestry, and different slang, viewers quickly realize that they are like other American soldiers, griping about the Army, wondering what is going on back home, playing craps, etc. Grayson and his men are a poor fit initially, but he does his job and helps turn them into soldiers. Continue Reading
Salvete TAC readers!
Here are my Top Picks in the Internet from the world of the Catholic Church and secular culture:
1. On ABC’s “This Week” this past Sunday Arianna Huffington, of the Huffington Post accused Glenn Beck of “inciting the American people” to commit violence against Obama by talking about “people being slaughtered.”
Here is Glenn Beck’s response from last night:
From the only reliable source of news on the net, The Onion. Not uncommonly, I have enjoyed a trailer more than the film. As to Iron Man, I loved the film. It was the most hilarious take on a superhero I have ever witnessed. Seeing Iron Man learning how to fly in his suit was worth the price of admission. How a washed up drug addict like Robert Downey, Jr., successfully resurrected his career as a comedic action hero is one of the more interesting entertainment stories of the last few years.
Here is the trailer for Iron Man 2:
In Advent my thoughts frequently turn to John the Baptist, the last, and the greatest, of the prophets who foretold the coming of Christ. The Jews lived in expectation for many centuries for the coming of the Anointed One, the Christ. It was left for the Baptist to be His final herald. His cries for repentance in preparing the way for the Lord are a useful reminder to us as to the proper spirit to celebrate the birth of Christ.
Of the film portrayals of John the Baptist, my favorite is that of Charlton Heston in the movie The Greatest Story Ever Told, who conveys well the sheer force of the Baptist’s message and the courage with which he conveyed it. John came to testify to the Truth and nothing would stop him from doing it, not even death as the last 2000 years can attest.
Due to the fear of a death threat in the form of a fatwa from Muslim scholars, movie director Roland Emmerich chose not to shoot any scenes depicting the destruction of Islamic holy sites in his new end-of-the-world film, 2012. Though Roland Emmerich says this did not stop him when filming scenes depicting the destruction of Christian landmarks such as the Sistine Chapel, Saint Peter’s Basilica, and the Christ the Redeemer statue in Rio de Janeiro. He wanted to make sure his views of opposition to “organized religion” were not soft-pedaled in the movie 2012.
Of course, “organized religion” is a euphemism for the apostolic churches of the Catholic and Orthodox faiths. Hence why you’ll see the dome of Saint Peter’s Basilica topple over in the 2012 film and not the Ka’aba inside the Grand Mosque of Mecca collapse.
A new movie about Saint Josemaria Escriva’s early years placed during the Spanish Civil War has been produced and will be released in 2010 A.D. titled, There Be Dragons.
Saint Josemaria Escriva was born in 1902 A.D. in Barbastro, Spain. Later at the age of 26 in Madrid Saint Josemaria started the apostolate that would eventually be called the Work of God, or simply Opus Dei, in pre-Civil War Spain in October of 1928 A.D. Opus Dei would experience delays in progress with the outbreak of the Spanish Civil War in 1936 A.D. This is the period that the setting of the movie is placed in.
In honor of the Anglican initiative of Pope Benedict this week, a reminder of the history of Catholic England, when Catholics were willing to stand against the State if need be to protect the Honor of God. Becket (1964), although inheriting the historical howlers that existed in the play, and were known by the playwright Jean Anouilh who wisely preferred a poetic story to prosaic fact, (Becket was Norman not Saxon, Henry II was not a crowned juvenile delinquent, the armor, as is usual in medieval epics, is all wrong for the period, etc.), this classic film helped awaken in me a desire to learn about the history of the Church. With masterful performances by Richard Burton as “the holy blessed martyr” and Peter O’Toole as Henry II, the film brought alive to me as a child the high Middle Ages. The installation sequence brought home to me the important role of ceremony, tradition and symbolism in our Faith, a lesson I have never forgotten.
A film based on Saint Josemaria Escriva de Balaguer, the founder of Opus Dei, is being filmed in Argentina titled, There Be Dragons. The movie is set in the years running up and including the Spanish Civil War.
There Be Dragons is being directed by Roland Joffe, the same director who filmed The Mission which starred Robert Di Niro and Jeremy Irons about Jesuit missionaries in 18th century South America. The movie will Scottish star Dougray Scott of Mission Impossible II fame as a reporter and English star Charlie Cox as the saint himself.
Father John Wauck of Opus Dei seems to be the adviser to Mr. Joffe. Mr. Joffe rejected an earlier script provided by Opus Dei for one that he wrote and has said he experienced no interference whatsoever from the personal prelature which is funding the film.
The expected release date is Summer or Autumn of next year (2010).
To read more about the film, There Be Dragons, by The Catholic Herald of Britain click here.
To learn more about Saint Josemaria Escriva de Blaguer click here.
To learn more about Opus Dei click here.
To read more about the film The Mission click here.
For more information on There Be Dragons click here.
[Updates at the bottom of this post as of 10:33 pm CST for 8-20-2009 AD]
The 13th Day is a film based on the true story of the Marian apparitions to three shepherd children at Fatima Portugal on the 13th day of six consecutive months in 1917, starting on 13 May. The three children were Lucia Santos and her cousins, siblings Jacinta and Francisco Marto. These apparitions at Fatima were officially declared worthy of belief by the Catholic Church.
William Park (InsideCatholic.com) lists, in his judgement, “the fifty best Catholic movies of all time”.
Some readers, myself included, were very surprised by the absence of The Mission. A magnificent cast (including Robert DeNiro, Jeremy Irons and Liam Neeson); a play by Robert Bolt (A Man for All Seasons) — it has, in my estimation, one of the most powerful illustrations of penance and forgiveness in cinema.
The Mission deservedly won seven Academy Awards, and made the top 15 films under ‘Religion’ selected by the Vatican, commemorating 100 years of cinema.
So why didn’t it make the list? — the author doesn’t offer much of an explanation, save that “Bolt’s screenplay for The Mission looks at the Church from the point of view of Dostoevsky’s “Grand Inquisitor.” Steven D. Greydanus, however, explores the complexities and ambiguities of The Mission for DecentFilms.com.
Question for our readers: do you agree with the list? — Do you agree with Warren’s list? Any notable omissions? What would you have selected?
A bit repetitious of Darwin Catholic’s earlier post on this subject, but I think this is a movie very much worth seeing. Topical doesn’t begin to describe the film The Stoning of Soraya M. that is opening this weekend. Starring Shohreh Aghdashloo and James Caviezel, and based on the novel of the same name, the film describes in harrowing detail the story of the stoning of a young bride in Iran. I would like to be able to say that such things do not really occur under mullah-ruled Iran. Alas, such stonings are very much a grim reality. Worthy of a Monty Python skit, stonings have been defended by the head of the Iranian Judiciary’s Human Rights Committee.
Hattip to the ever reticent lads and lasses at Lair of the Catholic Cavemen. Probably the most powerful sermon ever placed on film, Father Barry speaks of Christ and his crucifixion on the docks. The best performance Karl Malden ever gave. Elia Kazan’s masterpiece, On the Waterfront (1954) was also his response to the criticism he received for naming names before the House Un-American Activities Committee in 1952.
I haven’t seen 22 weeks yet, but I’m going to, and I think all pro-lifers should. It brings home the ugly reality of abortion and the bitter grief and despair that inexorably, in this world or the next, each abortion brings. Here is a review. May God forgive us all for this great evil that flourishes in our land and in our world. Abortion is the ultimate taking of the gracious gift of life, and spitting in the face of He who granted it. Humanity has the capacity for so much good, and this great evil drags us down lower, much lower, than the innocent beasts. I pray that I will live to see the day when abortion will be viewed with the same horror that we now view slavery.