There is well known to Us, Venerable Brethren – and it is a great cause of consolation for Our paternal heart – your constancy, that of your priests and of the great part of the Mexican faithful, in ardently professing the Catholic Faith and in opposing the impositions of those who, ignoring the divine excellence of the religion of Jesus Christ and knowing it only through the calumnies of its enemies, delude themselves that they are not able to accomplish reforms for the good of the people except by combating the religion of the great majority.
Pius XI, FIRMISSIMAM CONSTANTIAM
The film, For Greater Glory, the heroic story of the Cristeros who fought for the Church and religious liberty in the twenties of the last century in Mexico, is opening on June 1. Go here to read my first post on the film and the historical background of the Cristeros War. I will be seeing the movie with my family on Saturday, and I will have a full review of the film on Sunday or Monday. In the meantime, reviews are beginning to come in. I enjoyed this one by Dustin Siggins at Hot Air:
Over the last several years Catholics in America and Europe have experienced what they believe are the stripping of religious rights, and many are concerned the situation could easily turn into a public confrontation with various governments. One example of this is in England, where just this week the federal government has moved to declare wearing crosses in public is not a right. On this side of the water, my church’s parochial vicar Father Robert Lange often quotes His Eminence Francis Cardinal George, Archbishop of Chicago, who in 2010 said the following: “I expect to die in bed, my successor will die in prison and his successor will die a martyr in the public square.”
Such things were on my mind as I watched “For Greater Glory,” a movie about the Cristeros, or “soldiers for Christ,” who fought against religious persecution by the Mexican government from 1926 to 1929. The movie starts with laws which encroach upon religious freedom relatively benignly, such as not allowing the public wear of religious symbols. The Mexican government then moves to decry foreigners who allegedly control the nation’s citizens, particularly the Vatican, and rounds up all foreign-born bishops and priests to force them to leave the country. Peaceful rallies and protests are responded to with military force, which leads to an economic boycott.
The boycott is the last straw for Mexican President Plutarco Elías Calles. Ignoring the counsel of his advisers, he begins invading churches and killing Catholic priests and parishioners. This leads to protests of various forms, from peacefully marching in the streets to violent rebellion. At the heart of the entire movie are a teenage boy who sees his mentor shot before his eyes, an atheist whose wife’s Catholic faith and his own belief in religious freedom cause him to lead the rebellion, a woman whose network of faithful Catholic women is critical to the rebellion’s early formation, a rebel whose legendary fighting skills are matched by his disdain for authority, and a priest whose violent leadership in the rebellion causes a great deal of spiritual uncertainty. Continue reading
One of the last remaining survivors of the Golden Age of Hollywood has passed away:
The chimpanzee – who arrived at the sanctuary in 1960 – loved finger-painting and watching football and was soothed by Christian music, the sanctuary’s outreach director Debbie Cobb told the Tampa Tribune.
Back in the Sixties the old Johnny Weissmuller Tarzan movies were replayed endlessly on TV, and as a boy I loved them. Completely inaccurate as to Africa, and with plots as skimpy as some of the costumes worn by Maureen O’Sullivan as Jane, they were always good, and, not infrequently, hilarious entertainment. I have always treasured Tarzan’s commentary on the legal system in Tarzan’s New York Adventure (1942) where an evil circus owner is attempting to use the courts to win custody of Boy: Continue reading
Action films have always been a favorite of mine and nothing comes close to action as those from the 80s. With Expendables 2 coming out any man worth his salt will make a beeline to the nearest theater to watch an ensemble of some of the best of the 80s and today’s action stars.
In addition to Stallone, Willis, and Schwarzenegger you see my personal favorite Jason Statham along with Dolph Lundgren, Mickey Rourke, Chuck Norris, and Jean-Claude Van Damme. Of course there are more, but I’ll let you all figure the rest out in this trailer.
She was very beautiful and enchanting and her role as Margaret More captured the essences of an integrated Catholic life that is an excellent example for laypeople everywhere today.
The following clip is that of the King paying his Lord Chancellor, Saint Thomas More, a visit on his estate. The King encounters More’s family and is introduced to More’s daughter, Margaret, at the :45 mark of the clip. They engage in conversation at the 1:32 mark of the clip. The entire 10 minutes should be viewed to really enjoy her performance and appreciate the film itself:
Here is the trailer to that magnificent Catholic film, A Man For All Seasons:
Post script: I was unable to find out if Susannah York was a Catholic or not, but her portrayal of Margaret More is a fine example of living a Catholic life.
Cross-posted at Gulf Coast Catholic.
A new documentary on the life of Archbishop Fulton J. Sheen will be shown in movie theaters as pre-release screenings. It will also be available in DVD format (TBD).
A brief synopsis of the film is provided by the distributor (with minor editing):
“Archbishop Fulton J. Sheen: Servant of All” is a one-hour documentary that tells the story of Sheen and the tremendous impact he had on individuals, the Catholic community, the American public, and the world. Divided into five main sections, the film uses still images, video footage and interviews with those who knew Sheen to tell the story of this remarkable man, gifted teacher, missionary, priest, and loyal son of the Church.
UPDATE at the BOTTOM
The famous director of the movies The Mission and The Killing Fields, Roland Joffe, has just released a trailer teaser to his new film he is producing that encapsulates the early life of Saint Josemaria Escriva.
The film is about a news reporter investigating the life of his father where he discovers that his father was a lifelong friend of Saint Josemaria Escriva.
Last week marked the arrival of the trailer for the third “Chronicles Of Narnia” movie, The Voyage Of The Dawn Treader, and as everybody knows, C.S. Lewis news always comes in twos. It appears that Lewis’ religious allegory The Great Divorce is the latest of his work be slated for the big screen, according to Variety’s announcement that production studios Beloved Pictures and Mpower Pictures are joining forces to co-produce. Children’s author N.D. Wilson, known for the 100 Cupboards fantasy trilogy and his parodies of the Left Behind series, is attached to adapt the screenplay. With luck, the arrival of Mpower (The Stoning Of Soroya M.) will jump-start the project, and let it avoid the seemingly never-ending gestation plaguing the film adaptation of Lewis’ The Screwtape Letters, which was announced back in 2006, scheduled for a 2008 release, and delayed until 2010. It’s seen little discernable progress since.
A new film, Under the Roman Sky, starring James Cromwell as Pius XII, details the heroic efforts of Pius XII to save the Jews of Rome from the Nazis, after Rome came under Nazi occupation subsequent to the fall of Mussolini following the Allied invasion of southern Italy in 1943.
Rabbi David G. Dalin, in his review of a Moral Reckoning, a tome by Daniel Goldhagen which sought to blame Catholicism for the Holocaust, details the efforts of the Pope to save the Jews of Rome:
Goldhagen’s centerpiece is the outrageous allegation that Pius XII “did not lift a finger to forfend the deportations of the Jews of Rome” or of other parts of Italy “by instructing his priests and nuns to give the hunted Jewish men, women and children sanctuary.” Much of this is lifted straight from anti-Pius books like Susan Zuccotti’s Under His Very Windows–and thus Goldhagen repeats the errors of those books and adds extras, all his own, in his determined attempt to extend their thesis into over-the-top railings against the sheer existence of Catholicism.