An interesting film for Advent or Chistmas is a John Wayne flick. John Wayne in a Christmas movie? Yep, The Three Godfathers in 1948! Another fruitful John Ford and John Wayne collaboration, the film was released in December 1948. Three bank robbers, John Wayne, Pedro Armedariz and Harry Carey, Jr., stumble across a dying woman and her newborn son in a desert in the American Southwest. The three outlaws, although they are attempting to elude a posse, promise the dying woman to look after her son.
(I originally posted this in 2009 when the blog readership was much smaller. The Caine Mutiny has always been one of my favorite films and I am taking the excuse of my vacation from the blog to repost this review.)
For my sins, perhaps, I have spent my career as an attorney. Over the past 31 years I’ve done a fair number of trials, both bench and jury, and I am always on the lookout for good depictions of trials in films, and one of the best is The Caine Mutiny. Based on the novel of the same name by Herman Wouk, who served in the Navy as an officer in the Pacific during World War II, the movie addresses the question of what should, and should not, be done in a military organization when the man at the top of the chain of command is no longer in his right mind.
The cast is top notch. Humphrey Bogart, an enlisted man in the Navy during WWI and a member of the Naval Reserve, he tried to enlist again in the Navy after Pearl Harbor but was turned down because of his age, gives the performance of his career as Lieutenant Commander Philip Francis Queeg, the captain of the Caine. In the hands of a lesser actor Queeg could easily have become merely a two-dimensional madman. Bogart instead infuses Queeg with pathos and demonstrates to the audience that this is a good man who sadly is no longer responsible mentally for his actions. Van Johnson delivers his usual workmanlike job as Lieutenant Stephen Maryk, the ”exec” of the Caine, a career officer who does his best to remain loyal to an obviously disturbed CO, while also attempting to protect the crew of the Caine from Queeg’s increasingly erratic behavior. Robert Francis, as Ensign Willis Seward Keith, is the viewpoint character, too young and inexperienced to make his own judgment he relies on Maryk and Lieutenant Keefer. Fred MacMurray is slime incarnate as Lieutenant Thomas Keefer, a reservist who hates the Navy, spends all his time writing a novel, and eggs Maryk on to take command away from Queeg. Finally, in a typhoon, reluctantly and only, as he perceives it, to save the ship, Maryk, with the support of Keith, relieves Queeg from command.
In the ensuing court-martial of Maryk and Keith, lawyer Lieutenant Barney Greenwald, portrayed with panache by Jose Ferrer, reluctantly agrees to defend them.
What I admire most about the film is the realistic way that the defense is depicted. A legal case consists of the facts, the law and people. Continue reading
In the past year three films on President Lincoln have been released: the truly odious Abraham Lincoln Vampire Hunter, the superb Lincoln and now the low budget, funded by Kickstarter, Saving Lincoln. I am pleased to report that I think Saving Lincoln is much closer in quality to Lincoln than Vampire Hunter. The film has an intriguing take on Mr. Lincoln and I was both amused and moved by it. My full review is below. The usual caveat regarding spoilers ahead is given. Continue reading
(This post originally ran in 2010. The movies listed would make excellent viewing tomorrow and any day.)
Last year I listed here my top ten picks for movies about the America Revolution for the Fourth. This year here is my list of patriotic movies for the Fourth.
10. National Treasure (2004)-Sure it’s cursed with a ridiculous plot involving the masons and a treasure, it is still a lot of fun and calls us back to the foundation document, the Declaration of Independence, that is the cornerstone of our Republic.
9. Hamburger Hill (1987)-Content advisory: very, very strong language in the video clip which may be viewed here. All the Vietnam veterans I’ve mentioned it to have nothing but praise for this film which depicts the assault on Hill 937 by elements of the 101rst Division, May 10-20, 1969. It is a fitting tribute to the valor of the American troops who served their country in an unpopular war a great deal better than their country served them.
8. Yankee Doodle Dandy (1942)-James Cagney in perhaps the greatest film bio of them all, a salute to George M. Cohan, the legendary composer, playwright and patriot.
7. The Alamo (1960)-“The Republic” scene from The Alamo, a film which was basically John Wayne’s love note to America.
6. Gettysburg (1993)-The movie that I think comes the closest to conveying to us the passions of the Civil War. You really can’t understand America unless you understand the Civil War. As Shelby Foote, one of the greatest historians of the war, said: “Any understanding of this nation has to be based, and I mean really based, on an understanding of the Civil War. I believe that firmly. It defined us. The Revolution did what it did. Our involvement in European wars, beginning with the First World War, did what it did. But the Civil War defined us as what we are and it opened us to being what we became, good and bad things. And it is very necessary, if you are going to understand the American character in the twentieth century, to learn about this enormous catastrophe of the mid-nineteenth century. It was the crossroads of our being, and it was a hell of a crossroads.”
Introduction to the movie Gettysburg. Released on the 130th anniversary of the battle, I will have it playing at my home during the 150th anniversary next week. Overlong, and historically suspect, especially as to its Longstreet-could-do-no wrong perspective, it still is a masterpiece. It captures perfectly the desperate nature of the battle that has become the symbol of that fratricidal conflict. The late Shelby Foote once said that to understand this country you needed to understand the Civil War. I concur, and I would also suggest that it is impossible to understand the Civil War without understanding Gettysburg, a battle which marked the end of Lee’s perceived invincibility and gave Lincoln an opportunity to explain to the people why so many men had to die so their nation might live.
Stay tuned to The American Catholic for several posts in the next few days on Gettysburg and the Civil War.
If there is a forgotten theater where American troops fought in World War II, it is most definitely the Aleutians. The Japanese took Attu and Kiska, islands in the Aleutian chain, in June of 1942, to forestall the Aleutians being used as a base for a move on the Japanese Home Islands from the Aleutians. Due to the rugged weather conditions, the US had never seriously entertained using the Aleutians as a staging area for future offensives. However, Attu and Kiska were American territory, and national pride, as well as alarm from the Alaskan territorial government, made inevitable an American campaign to take back the strategically worthless islands. Continue reading
There is well known to Us, Venerable Brethren – and it is a great cause of consolation for Our paternal heart – your constancy, that of your priests and of the great part of the Mexican faithful, in ardently professing the Catholic Faith and in opposing the impositions of those who, ignoring the divine excellence of the religion of Jesus Christ and knowing it only through the calumnies of its enemies, delude themselves that they are not able to accomplish reforms for the good of the people except by combating the religion of the great majority.
Pius XI, FIRMISSIMAM CONSTANTIAM
The film, For Greater Glory, the heroic story of the Cristeros who fought for the Church and religious liberty in the twenties of the last century in Mexico, is opening on June 1. Go here to read my first post on the film and the historical background of the Cristeros War. I will be seeing the movie with my family on Saturday, and I will have a full review of the film on Sunday or Monday. In the meantime, reviews are beginning to come in. I enjoyed this one by Dustin Siggins at Hot Air:
Over the last several years Catholics in America and Europe have experienced what they believe are the stripping of religious rights, and many are concerned the situation could easily turn into a public confrontation with various governments. One example of this is in England, where just this week the federal government has moved to declare wearing crosses in public is not a right. On this side of the water, my church’s parochial vicar Father Robert Lange often quotes His Eminence Francis Cardinal George, Archbishop of Chicago, who in 2010 said the following: “I expect to die in bed, my successor will die in prison and his successor will die a martyr in the public square.”
Such things were on my mind as I watched “For Greater Glory,” a movie about the Cristeros, or “soldiers for Christ,” who fought against religious persecution by the Mexican government from 1926 to 1929. The movie starts with laws which encroach upon religious freedom relatively benignly, such as not allowing the public wear of religious symbols. The Mexican government then moves to decry foreigners who allegedly control the nation’s citizens, particularly the Vatican, and rounds up all foreign-born bishops and priests to force them to leave the country. Peaceful rallies and protests are responded to with military force, which leads to an economic boycott.
The boycott is the last straw for Mexican President Plutarco Elías Calles. Ignoring the counsel of his advisers, he begins invading churches and killing Catholic priests and parishioners. This leads to protests of various forms, from peacefully marching in the streets to violent rebellion. At the heart of the entire movie are a teenage boy who sees his mentor shot before his eyes, an atheist whose wife’s Catholic faith and his own belief in religious freedom cause him to lead the rebellion, a woman whose network of faithful Catholic women is critical to the rebellion’s early formation, a rebel whose legendary fighting skills are matched by his disdain for authority, and a priest whose violent leadership in the rebellion causes a great deal of spiritual uncertainty. Continue reading
One of the last remaining survivors of the Golden Age of Hollywood has passed away:
The chimpanzee – who arrived at the sanctuary in 1960 – loved finger-painting and watching football and was soothed by Christian music, the sanctuary’s outreach director Debbie Cobb told the Tampa Tribune.
Back in the Sixties the old Johnny Weissmuller Tarzan movies were replayed endlessly on TV, and as a boy I loved them. Completely inaccurate as to Africa, and with plots as skimpy as some of the costumes worn by Maureen O’Sullivan as Jane, they were always good, and, not infrequently, hilarious entertainment. I have always treasured Tarzan’s commentary on the legal system in Tarzan’s New York Adventure (1942) where an evil circus owner is attempting to use the courts to win custody of Boy: Continue reading
Action films have always been a favorite of mine and nothing comes close to action as those from the 80s. With Expendables 2 coming out any man worth his salt will make a beeline to the nearest theater to watch an ensemble of some of the best of the 80s and today’s action stars.
In addition to Stallone, Willis, and Schwarzenegger you see my personal favorite Jason Statham along with Dolph Lundgren, Mickey Rourke, Chuck Norris, and Jean-Claude Van Damme. Of course there are more, but I’ll let you all figure the rest out in this trailer.
She was very beautiful and enchanting and her role as Margaret More captured the essences of an integrated Catholic life that is an excellent example for laypeople everywhere today.
The following clip is that of the King paying his Lord Chancellor, Saint Thomas More, a visit on his estate. The King encounters More’s family and is introduced to More’s daughter, Margaret, at the :45 mark of the clip. They engage in conversation at the 1:32 mark of the clip. The entire 10 minutes should be viewed to really enjoy her performance and appreciate the film itself:
Here is the trailer to that magnificent Catholic film, A Man For All Seasons:
Post script: I was unable to find out if Susannah York was a Catholic or not, but her portrayal of Margaret More is a fine example of living a Catholic life.
Cross-posted at Gulf Coast Catholic.