The things you find on You tube! The first episode of Playhouse 90, the hour and half long weekly series that aired on CBS from 1956-1960. This episode, Forbidden Area, was written by Rod Serling and directed by John Frankenheimer. Introduced by Jack Palance, this live Cold War espionage drama starred Charlton Heston and Vincent Price. That television used to present such quality fare makes one weep for the current waste of airtime programming, usually filled with sniggering obscenity, mindless violence, and almost no thought, that makes up most television schedules.
August 29 is the feast day of the beheading of John the Baptist, the herald of Christ. Charlton Heston, in the video clip above, gave a powerful portrayal of the Baptist in The Greatest Story Ever Told, capturing the raw courage and energy that animated John the Baptist as a result of the blazing faith he had in God. Like Elijah, John came out of the wilderness to fearlessly proclaim the word of God, but what Elijah and the other prophets could only glimpse darkly, the coming of the Messiah, John saw with his own eyes. The last and greatest of the prophets, John fulfilled the role of Elijah as proclaimed by the prophet Malachi:
Behold, I will send you Elijah the prophet before the coming of the great and terrible day of the Lord. Continue Reading
American history tends to be ignored by Hollywood and therefore it is unusual for a battle to receive treatment in a Hollywood feature film. It is doubly unusual for a battle to be treated in two Hollywood feature films, but that is the case for the battle of New Orleans, the two hundredth anniversary of which is coming up this week on January 8, 2015. The 1938 film The Buccaneer was directed by the legendary Cecil B. DeMille and had Frederic March, an actor largely forgotten today but a major star in his time, as Jean Lafitte. Two future stars have bit parts in the film: Anthony Quinn and Walter Brennan. Hugh Sothern who portrayed Andrew Jackson would also portray Jackson in 1939 in the film Old Hickory.
The 1958 remake was also to have been directed by Cecil B. DeMille, but he was seriously ill at that time, and relegated himself to the role of executive producer, turning the director’s chair over to Anthony Quinn, his then son-in-law, the one and only film that Quinn ever directed. DeMille was unhappy with the film and it received fairly negative reviews, although I think the battle sequences are superior to the first film. Yul Brynner plays Jean Lafitte and Charlton Heston is a commanding Andrew Jackson. Like Hugh Sothern, Heston would portray Jackson twice, the first time being in The President’s Lady (1953), the tale of the great love story of Rachel Jackson (Susan Hayward) and Andrew Jackson. Future stars in this version include Inger Stevens, Claire Bloom and Lorne Green. Adequate coverage of the battle is given in each film, although not much detail. The battle of course is merely an adjunct to the romantic tale of Jean Lafitte. Without the pirate turned patriot, I am certain the battle of New Orleans would have likely received the same indifference that Hollywood has shown for most of American history.
Something for the weekend. A musical medley from the movie Major Dundee (1965). Sam Pekinpah’s flawed, unfinished masterpiece, the film tells the fictional account of a mixed force of Union soldiers and Confederate prisoners who join forces to hunt and ultimately defeat an Apache raider, Sierra Charriba, in 1864-65. Charlton Heston gives an outstanding performance as Major Amos Dundee, a man battling his own personal demons of a failed military career, as he commands this Union-Confederate force through northern Mexico on the trail of the Apache, with fighting often threatening to break out between the Union and Confederate soldiers. Use of Confederate prisoners as Union soldiers in the West was not uncommon. Six Union infantry regiments of Confederate prisoners, called “Galvanized Yankees”, served in the West. The final section of the film involving a battle between Major Dundee’s force and French Lancers, the French occupying Mexico at the time, has always struck me as one of the best filmed combat sequences in any movie.
Here is a fan made trailer for the restored edition that was released in 2005 that included much of the footage that was cut over Pekinpah’s protests:
http://www.youtube.com/watch?v=JMh8RtN2Y1Q Continue Reading
Greg Gutfeld unloads on Jim Carrey, an aging Canadian comedian whose career is currently in the process of tanking, over Carrey’s remakably unfunny “Hee-Haw” attack on the late Charlton Heston and anyone who supports the Second Amendment. Nothing is sadder than a professional funnyman who does not realize that his time in the limelight has passed him by. I have two words for Mr. Carrey: Jerry Lewis. Oh well, perhaps the French will hail him as a genius too.
Something for the weekend. The forgiveness song from El Cid (1961). I have always loved this retelling of the legend of El Campeador, starring Charlton Heston and Sophia Loren, who purportedly despised each other during the filming. I think the etchings of the intro capture something of the spirit of believing Spain, always waiting for the next great Crusade.
Here is my favorite sequence from the film: Continue Reading
Today is the feast of the beheading of Saint John the Baptist, an event which is mentioned in a source other than the Gospels. Here is the Jewish historian Josephus who wrote circa 93-94 AD regarding the death of the Baptist in his Jewish Antiquities:
About this time Aretas, the king of Petra, and Herod the Tetrarch had a quarrel on account of the following. Herod the tetrarch had married the daughter of Aretas and had lived with her a great while; but once when he was on his way to Rome he lodged with his half-brother, also named Herod but who had a different mother, the high priest Simon’s daughter. There he fell in love with Herodias, this latter Herod’s wife, who was the daughter of their brother Aristobulus and the sister of Agrippa the Great. This man ventured to talk to her about a marriage between them; she accepted, and an agreement was made for her to come to him as soon as he should return from Rome, one condition of this marriage being that he should divorce Aretas’s daughter. So when he had made this agreement, he sailed to Rome; but when he had finished there and returned again, his wife, having discovered the agreement he had made with Herodias, and before he knew that she knew of the plan, asked him to send her to Machaerus, a place on the border between the territories of Aretas and Herod, without informing him of any of her intentions. Accordingly Herod sent her there, thinking his wife had not perceived anything. But she had sent messages a good while before to Machaerus, which had been under the control of her father, and so all things necessary for her escape were made ready for her by the general of Aretas’s army. By that means she soon came into Arabia, under the conduct of the several generals, who carried her from one to another successively; and soon she came to her father and told him of Herod’s intentions. Aretas made this the start of his enmity toward Herod. He also had a quarrel with him about their boundaries in the area of Gabalis. So they raised armies on both sides and prepared for war, sending their generals to fight instead of themselves. And when they had joined battle, all Herod’s army was destroyed by the treachery of some fugitives who, though they were of the tetrarchy of Philip and joined the army, betrayed him. So Herod wrote about these affairs to Emperor Tiberius, who was very angry at the attempt made by Aretas and wrote to Vitellius to make war upon him and either to take him alive, and bring him in chains, or to kill him, and send him his head. This was the command that Tiberius gave to the governor of Syria.
American history tends to be ignored by Hollywood and therefore it is unusual for a battle to receive treatment in a Hollywood feature film. It is doubly unusual for a battle to be treated in two Hollywood feature films, but that is the case for the battle of New Orleans. The 1938 film was directed by the legendary Cecil B. DeMille and had Frederic March, an actor largely forgotten today but a major star in his time, as Jean Lafitte. Two future stars have bit parts in the film: Anthony Quinn and Walter Brennan. Hugh Sothern who portrayed Andrew Jackson would also portray Jackson in 1939 in the film Old Hickory.
In Advent my thoughts frequently turn to John the Baptist, the last, and the greatest, of the prophets who foretold the coming of Christ. The Jews lived in expectation for many centuries for the coming of the Anointed One, the Christ. It was left for the Baptist to be His final herald. His cries for repentance in preparing the way for the Lord are a useful reminder to us as to the proper spirit to celebrate the birth of Christ.
Of the film portrayals of John the Baptist, my favorite is that of Charlton Heston in the movie The Greatest Story Ever Told, who conveys well the sheer force of the Baptist’s message and the courage with which he conveyed it. John came to testify to the Truth and nothing would stop him from doing it, not even death as the last 2000 years can attest.