Installation Scene From Becket

Thursday, December 29, AD 2016

 

If we who are called bishops desire to understand the meaning of our calling and to be worthy of it, we must strive to keep our eyes on him whom God appointed high priest for ever, and to follow in his footsteps. For our sake he offered himself to the Father upon the altar of the cross. He now looks down from heaven on our actions and secret thoughts, and one day he will give each of us the reward his deeds deserve.

Saint Thomas Becket

 

In honor of the feast day of Saint Thomas Becket, a reminder of the history of Catholic England, when Catholics were willing to stand against the State if need be to protect the Honor of God.   Becket (1964), although inheriting the historical howlers that existed in the play, and were known by the playwright Jean Anouilh who wisely preferred a poetic story to prosaic fact,  (Becket was Norman not Saxon, Henry II was not a crowned juvenile delinquent, the armor, as is usual in medieval epics, is all wrong for the period, etc.), this classic film helped awaken in me a desire to learn about the history of the Church.  With masterful performances by Richard Burton as “the holy blessed martyr” and Peter O’Toole as Henry II, the film brought alive to me as a child the high Middle Ages.  The installation sequence brought home to me the important role of ceremony, tradition and symbolism in our Faith, a lesson I have never forgotten.

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Saint Thomas Becket and Three Plays

Wednesday, May 25, AD 2011

 

Destiny waits in the hand of God, not in the hands of statesmen.

TS Eliot, Murder in the Cathedral

The investiture scene from the movie Becket (1964).  The story of the great Archbishop of Canterbury Saint Thomas Becket, who, from being the worldly Chancellor of King Henry II, became the great champion of the Church in life, and a greater champion in death, has always attracted artists and writers.  In our time Jean Anouilh wrote the play Becket, brilliantly brought to the screen in the 1964 film.  Filled with historical howlers, Becket was Norman not Saxon for example, it brilliantly captures the clash between Henry and the man who had been his friend and loyal servant, but who served a Greater Master after Henry, over his protest, had him raised to be Archbishop of Canterbury.

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Installation Scene From Becket

Friday, October 23, AD 2009

In honor of the Anglican initiative of Pope Benedict this week, a reminder of the history of Catholic England, when Catholics were willing to stand against the State if need be to protect the Honor of God.   Becket (1964), although inheriting the historical howlers that existed in the play, and were known by the playwright Jean Anouilh who wisely preferred a poetic story to prosaic fact,  (Becket was Norman not Saxon, Henry II was not a crowned juvenile delinquent, the armor, as is usual in medieval epics, is all wrong for the period, etc.), this classic film helped awaken in me a desire to learn about the history of the Church.  With masterful performances by Richard Burton as “the holy blessed martyr” and Peter O’Toole as Henry II, the film brought alive to me as a child the high Middle Ages.  The installation sequence brought home to me the important role of ceremony, tradition and symbolism in our Faith, a lesson I have never forgotten.

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