Everyone seems to have their own idea of what it is that the GOP lacks these days. Kathleen Parker seems to think that the big problem is its lack of a columnist with the prose style, intellectual rigor and cultural sensibilities of a Maureen Dowd — and in her most recent Washington Post column she tries to fill that void. [HT: Cranky Conservative]
As Republicans sort out the reasons for their defeat, they likely will overlook or dismiss the gorilla in the pulpit.
Three little letters, great big problem: G-O-D.
I’m bathing in holy water as I type.
To be more specific, the evangelical, right-wing, oogedy-boogedy branch of the GOP is what ails the erstwhile conservative party and will continue to afflict and marginalize its constituents if reckoning doesn’t soon cometh.
Simply put: Armband religion is killing the Republican Party. And, the truth — as long as we’re setting ourselves free — is that if one were to eavesdrop on private conversations among the party intelligentsia, one would hear precisely that.
Tito and Donald have instituted a worthy tradition of posting music on the weekends here at American Catholic, and so as the weekend winds to a close I thought I would attempt by own contribution to the genre, though with a characteristically analytical slant.
I’m not sure how it is that one can say that a piece of music “sounds like” a particular country. And yet some pieces of music very clearly have a regional tone. For instance, Vaughan Williams orchestral music simply sounds like English countryside.
While I don’t think I could describe what it is that makes something sound American, the following are some of the most American-sounding pieces of music that I know of.
Jerome Moross received an Oscar nomination for the score he wrote for Big Country, the outstanding 1958 western staring Gregory Peck, Charleton Heston and Burl Ives.
The movie itself is very much worth watching, and the score is one of my favorite movie scores. This video illustrates the main theme with scenes from the movie.